This year has introduced the world to challenges new and difficult to face. The Covid-19 pandemic effectively shut down our daily lives, reducing them to around the clock adventures within the confines of our homes. And though some elements of life are attempting a return to normal, there’s still a gap we used to fill with measures of entertainment to both pass time and to leave lasting impressions on our creative souls.
The Arts have taken a notable hit, from the film industry to publishing to theater. It is the latter that drove me to one effort to bring an element of entertainment to those at home. On Saturday, May 23rd, Face to Face Films launched the first in an ongoing reading series, offering a full company production of Greta Gerwig’s Little Women. Partners Casey Hartnett and Anthony Laura of Face to Face Films designed and produced a full reading of the script, utilizing Zoom as a platform. Much like a table reading—if said table were cut into 12 pieces and placed in 12 different homes—the cast took on the roles and weaved through the story as if prepping for an upcoming stage run.
As an audience member, the experience was unique, yet not entirely unlike attending a full production. Tickets were not a requirement, but registration was, and took little to no time at all to complete. A well-worn theater seat facing a stage was replaced by a cozy and familiar chair at my desk. Several minutes prior to the reading, an email arrived, carrying with it not only a link to lead me to the show, but a program as well. My lights may not have dimmed, but as the music faded and Anthony appeared, I felt the same sense of excitement I would have felt watching a curtain rise. Then the reading began, with the aid of Stage Manager and Narrator Sofia Licata.
There were a few technical glitches along the way, though nothing that disrupted the reading, or went beyond tolerable. The experience of watching actors emote and pantomime eating or dancing on the screen without costume or set felt a little invasive and awkward at first, but quickly became an endearing and enjoyable addition. The cast found a nice groove almost immediately, bringing the story to the forefront, slipping from scene-to-scene seamlessly. As a viewer, I was drawn in. Despite the script’s continued time shifts, following the action was easy and enjoyable, a true testament to the production team as well to the skill of the actors.
In particular, the work of Samantha Yestrebsky as the aloof but determined Amy March was delightful to watch. She fully captured the raw emotion and strength of the character as if it were an extension of herself. Rheanna Salazar and Alexandra Rooney brought a consistent energy and timeless feel to Beth March and Young Beth March, respectively, while Alex Commito, taking on the role of Theodore “Laurie” Laurence, paired with the acting team of the March sisters with effortless precision.
The entire cast came prepared, gave life to their characters, shifted from role to role clearly, and captured the emotional depth of the story well. I would be remiss not to fully appreciate the work done by Josh Adwar, Gabe Calleja, Vivien Cardone, Emma Davidov, Casey Hartnett, and Kristen Hasty (Anthony Laura popped in as multiple characters as well!). Additionally, their willingness to stick around after the performance for a round of Q&A with attendees was highly appreciated and a great addition.
All-in-all, it was an experience worthy of theater and a wonderful use of technology at a time when we’re all a bit entertainment-starved. I applaud the production work of Face to Face Films (as well to their work to raise money for Covid-19 relief) and look forward to June’s presentation of Doubt by John Patrick Shanley, featuring Vivien Cardone, Alex Commito, Rheanna Salazar, and Isha Sumner. We may not be able to journey to the theater for some time, but it’s comforting to know that the theater has found a way to come to us.