Fifty Shades of Change, or: How I Learned to Stop Worrying and Love the Edits

Words is words, which are words that are words, being wordy.

This is the process of writing, you see. Learning perfection is attained not in the first sentence, but rather what the first sentence can become after you’ve written a few thousand other sentences that politely inform what that stupid first sentence should have been in the first place, if only you had the smarts to let them tell you first.

Sentences can be so bitchy.

The Progenitor is this. As is everything else ever written. Certainly, everything ever written by the dope typing this post. Every chapter calls me backward. To adjust something. To tweak some language. To modify dialogue. Because, as I discover the truths ahead, I’m required to align them behind. In this light, I’ve spent some time recently combing through the first few chapters and making adjustments. If you’re reading along you might now be screaming something like But I’ve already READ all that! Yes, you have. I warned you. Edits happen. It’s a process. It’s part of the writing life. It’s the realization the burger needed cheddar AND provolone AND swiss after you’re halfway through. You can still do it. Come on, you know you want that taste. Cheddar just isn’t enough anymore, is it? No, that burger wants MORE and it wants it NOW.

Did I mention I’m a bit hungry?

Agatha’s story is twisting, evolving into the latter 2/3 of the book that I believe might be best classified as WUT. As in, you know, “What?” but different, because you’re all WUT.

Got it?

Good.

Time is tricky, as Agatha is learning. Time is screwed up when you screw with it. Time is a nightmare that may or may not be a pleasant dream when the Keepers find you.

Now almost 20,000 words in, I know I love this story. It’s insane. We’ve bonded and become good friends. We might be holding hands soon. It’s getting serious. Like, totally. I’ve also learned the story was, to no surprise, right about the beginning. Chapter One as it stands will go into the repository at some point, hopeful to be included in a potential opening of Book Two, or a story told along the way. Chapter Three, with its great opening of “The first time Agatha moved through time, she tried to save a cake,” will become the opening of the book. That line sells it. The flow it creates otherwise is ideal.

So, here it is. The end of Chapter Ten is completely raw. I haven’t even looked at them a second pass yet. I’m still hoping to finish the first draft by the end of the year. It’s ambitious, but much like this story, I’m not entirely sane. It’ll happen.

Fire away. Input is welcome.

Progenitor Manuscript .pdf

Progress is all about progressing and stuff

That whole “Day Whatever” thing? Yeah, I think that can go away now. I mean, posting in a succession of days that mark every day I have worked on the novel makes great sense. Not that I often make sense. I usually make not sense, and with great precision. So, it’s canned. On a shelf to be forgotten forevermore. Like Apocalypse Tuna. But NEVER FEAR! I am still here. Still hereing and being here and being not not here in order to post what I have written on the The Progenitor.

That said, in the time I have managed not to waste watching football, cheering my fantasy baseball team to a long-awaited league winner winner chicken dinner championship (Yeah that’s right, I play fantasy sports. What of it? I’m a dude who likes sports, all right? Back off, lest I pummel you with my sportish knowledge and bore you to tears.), taunting the cat, humoring the dog, and putting back a healthy dose of the Fall’s first batch of chili, I have created more words! Words that pair with other words to form sentences and paragraphs! Paragraphs that talk about stuff and lead to other stuff. Two chapters worth, in fact! In fairness, they’ve seen a light edit, but I tend to read through what I last wrote in an effort to drop back into the flow of the story, which always results in some alteration along the way. I edit, therefore I am, or something.

With these two chapters, Agatha’s adventure has officially begun. A bit earlier than I had expected (I’m at 12,000 words, and I thought I’d make it closer to 20k before everything really took off), but it feels right. The story’s never wrong. When it says it’s time to fly, you jump. When it says have some meat and chill, you better not be a vegetarian.

Speaking of jumping, as this story plays with the concept of jumping through time, the task I face is explaining this, and the results therefrom, in a way that is easy to follow and understand. If I have failed to do so at any point, fire away. You’re the reader, I’m the writer. I stand behind the curtain, while you fall asleep in a field of poppies, or head off on a witch hunt with but some sketchy courage, a tin brain, no heart and a stupid bucket of water. I know everything. You know nothing. NOTHING!

So, here it is. All six chapters. 12k words out of a projected 90k pushes me past 10%. It’s a small benchmark, but something about crossing 10% has always infused me with excitement. Hopefully it shows.

Progenitor Manuscript .pdf

Day 7: Too Many Days

The bitch thing about writing–for me, anyhow–is fitting it into a schedule that demands of me my attention so as I may pay my bills as required. I love my day job, both of them I should say actually, but I do long for the ability to write on my own schedule. The ability to channel all of my energy into my passion, rather than the divide and conquer mentality I’m forced to take right now. Throw in a dash of this issue, a touch of that issue, some stress to round out the flavor and boom. You have a fraction of time to actually write, and no bacon to soothe the pain. Add in the stress, fatigue, and otherwise fractured sense of concentration that comes with it all, and you get crap writing when you actually do sit down.

I’ve had two weeks of insanity, with some crap writing mixed in for pleasure. If I were the type of personality who pushed through these things, who said screw sleep I’m writing something, I’d have produced Chapter Four already. But through my earlier days of Writerdom I’ve learned it’s more work to write those pages, attempt to edit them and convince myself I can make something worthwhile out of nothing, than to can them altogether because, well, because they’re absolutely useless crap. I do better when I endure the hard times, write workable crap, then get my groove on when things calm down again. Granted, this is likely the primary reason I only have two books published to this point, but it would also be the primary reason why I’ve improved in the craft so much. It gives me time. Time to think, time to write in my head, time to get it right. So, it’s a wash. I’ll just be who I am and move on.

Much as I have with The Progenitor. After the two-week hiatus, Chapter Four didn’t end up taxing my eager brain at all. It’s quite short, against what I had expected. I just reached a line that said IT ENDS HERE and said all righty then, thanks. So, without any lengthy preamble, nonsensical picture, or loosely-related story about my life, here it is. As always, fire away. Input is welcome.

I’ve decided to end the chapter at a time approach to the file, instead opting to offer the entire manuscript each time. Chapter Four begins on page 18, for what it’s worth. Just to help you avoid feeling as though you need to re-read everything each time, and stuff. Heaven forbid.

Progenitor Manuscript .pdf

Z

Charles in Charge and Writing Do Not Mix

Sometimes I’ll do anything I can to avoid writing. I’ll run from the computer like it’s a Charles in Charge reunion special. Reading, destroying brain cells on Facebook, over-managing my fantasy baseball teams, catching up on baseball news I already knew, Words With Friends, walks, shopping, driving, sitting on the patio like a grown man in time-out, harassing the cat … name it. It runs contrary to the idea writing is my passion, my life, I know, but I do it regardless. Not because I’m afraid to write. Rather, because I’m afraid to write badly.

On the surface it’s an absurd statement. It reeks of a failure in confidence. If you’re afraid to write, avoiding it for any reason, then perhaps writing isn’t for you, right? However, I don’t lack confidence in my writing. Though I’m no savant and have a great deal yet to learn, I’ve worked hard on my craft. Besides, Publisher’s Weekly thought well of me. Shouldn’t I? My issue, though, isn’t with my talent, or my ability to weave a compelling tale, or whether or not what I’m about to type will be pure crap. The ‘delete’ key takes care of that. If not, editing exists for a reason. What I’m afraid of is producing work that floats off into the ether like space debris: forgotten and forever to orbit in the dark vacuum of nothingness. Perhaps that means it was bad, perhaps it doesn’t. Sometimes you can feel so damned positive you’ve written something great–or at the least good–only to watch it wander into an uncaring world that as much notices it as avoids it altogether.

Maybe that doesn’t qualify it as bad, exactly, but as a writer it becomes difficult to separate good from bad when feedback is non-existent.  Sure, you get some words of encouragement from those who know you, or from other writers, or beta-readers, or even your Publisher/Editor/Agent. They like it. They praise you in widely generic ways. They might even specifically site an instance in your work they particularly liked. Which makes you smile. It makes you proud. It gives you that momentary feeling of heroic wonder. Then it becomes print, you talk about it through various social media portals, maybe you have some events, and you wait for the accolades and reader reviews. And wait. And wait. Ultimately, the silence invades your mind, leaving a gap in your defenses wide enough for an F5 tornado of doubt to plow a destructive path through your pristine landscape of ignorant bliss.

No matter how much you talk it up, nobody’s talking back. Your book sucks. It must. It has to. You re-read it. It doesn’t feel as sublime as the last time you looked it through. Are you no longer blind to the truth, or have you allowed silence and doubt to insert their impression in your head? What does that mean for your current manuscript? Should you suspend writing in order to review what you’ve written? Will this unedited piece of unfinished potential crap offer you insight as to why your recent work is failing? Or are you over-thinking it? Of course, you can go to your Publisher/Editor/Agent for advice, but they’ll tell you to cool your jets, this kind of thing happens all the time. But no, you think, this is happening to me. It wasn’t supposed to. My book was good.

Or was it?

It’s troubling to think all this can cross through the mind in a fraction of a second. Even more troubling, however, is the anticipation it can and might likely happen to your work-in-progress–before you’ve even finished it. You have constructed a fully viable, fully entrenched, vision of your manuscript’s future while it still doesn’t even know how it will end. The characters are gathering for an intervention and you’re in the corner wallowing about how nobody will ever care about anything you write. Ever. I suppose if I were a parent, I might better understand this, or how to cope with it. My cat doesn’t inspire worry. Her naps will always be quality naps.

So, I’ll stare at the computer screen, eyeing the open Internet tabs, finger ready to open Scrivener. I might read what I have to that point, if I haven’t wandered off already. Maybe pack the laptop and head out for coffee, read it there. Maybe take a drive to hunt for inspiration. It doesn’t happen all the time, and generally by the time I’ve begun typing, my fears have waned. My characters are at the forefront. I’m a God, moving pieces, orchestrating fates, divining obstacles. All is good. My work is good. My story is good. My book, so far, is good.

I’m a writer. I don’t write simply because I can. I write to entertain, to bring something to someone’s life they will enjoy and share. It’s narcissistic, cathartic, inspiring, and humbling. I like to imagine a God, creating a Universe, filling worlds with living creatures, molding paths, futures, destinies, holding arms to Heavens when the job is done, with a notable “Huh? Awesome, right?” expression. That God would be bummed if even the crickets went silent. I guess it’s okay for me to be as well.

I just need to keep writing.

Maybe a drive first, though.