The (Book)Life and Times of Wonderboy

There is told the tale of a young man who would one day be the hero of an entire bookstore. Head strong and full of hope, he toiled in the bowels of retail, suffering at the behest of a mighty overlord, packed with his clansmen on a yellow bus heading at breakneck speed toward finality. This young man fought for his survival, tying his fate to that of another, whose entrepreneurial plan for escape whet the young man’s burgeoning need to be free, to bring order to the chaotic world of books. Finding peace within his newly unshackled chains, this young man set forth on a path few would ever walk, eyes set upon the blazing trail of wonder before him. He came to know that path as a facet of self, an enigma of soul, and from the fire within was born a new identity. A masked avenger. A vigilante of Event Coordination. Those who knew him called him Wonderboy, and a legend was born.

Immediately his impact was felt. An empty stage hosted a cadre of poets, local authors and musicians. The People were pleased. Publicists took note. Wine was had. People got tipsy. A List was built. Mere months after donning the Mask of Almost-Justice-Like-Kind-of-Action, simple names evolved into Notable Artists. St. Vincent, Amy Sedaris, Ani DiFranco, Rob Sheffield, Dan Kennedy, Tracy Chevalier, James Rollins, R.A. Salvatore, Fonzworth Bentley, Katie Crouch, Frank Delaney, Stuart Woods, Final Fantasy, Christopher Moore, Virginia Willis, and Richard Blais, just to name a few. He gave birth to slam-dunk fan favorites, giving the eager public Open Mic Nights, Wizard Rock, the Black and Red Prom, Storytime for Grown-ups, and so much more.

What once was but a bookstore had become a haven of entertainment. Wonderboy done did good.

Pretty fancy stuff, huh?

I always thought so. I suppose, at this point, it’s all right to reveal the identity of the masked wunderkind known as Wonderboy. After all, he has some new Hipster Musician in Brooklyn identity thing going. Silent Rape Drummers, or something, for a while, getting tons of attention for his bizarre but entertaining re-soundtracking of Twin Peaks. Now he’s in a Place Both Wonderful and Strange, which perhaps brings him full circle, since Wordsmiths was always wonderful and strange. It was also a place. Kudos, fate. Well played.

Russ Marshalek was Wordsmiths Books number one hire, a vital cog to everything Wordsmiths would become. I would have been nothing without his help, and Decatur would have suffered a loss it never knew it needed to recover from had he not taken the job as my Events Coordinator. He took a hell of a lot of grief from me (and a certain other individual with a flair for the dramatic whose one-on-one debate on the Wordsmiths stage was perhaps the defining moment of the store and a blog topic to come), but he trudged on, doing what he did, making the store more than I could have dreamed. I owe him a lifetime of thanks. He owes me a burrito. Or something. There has to be some balance here. After all, he wouldn’t have had the opportunity to be so important to me had I not hired him in the first place.

Sure, Wordsmiths didn’t make it. But it wasn’t the fault of Wonderboy. What he did few could have. It’s vital people remember that. I know I will. Danke, mein Freund.

Wonderboy can rest easy knowing, once more, he has saved the day.

Wonderboy can rest easy knowing, once more, he has saved the day.

Don’t Start a Marathon With Lead In Your Shoes

Wordsmiths Books opened on June 15th, 2007 in the old Post Office, an absolutely beautiful historic building in the heart of downtown Decatur. There’s a candy shop there now. It are yummy. You must go and support these people, because chocolate. Between the white marble exterior, the wooden floors and exposed brick, I was in love. Yes, I know, I’ve said I will always view the store’s second location as the true home of Wordsmiths, but from a sheer pretty vs. practical standpoint, the old Post Office had the Sun Trust building up against the ropes in the first ten seconds of the first round.

Sorry, that was a boxing reference. Book people aren’t sports-minded. I should know better by now.

I’ve heard from a number of people already regarding the this location vs. that location debate, and it seems the vast majority preferred the Post Office. I did too, but I also didn’t, in a my vision vs. the execution/reality way. Got it? No? Lemme ‘splain. The Post Office truly did offer all I wanted out my vision of what Wordsmiths was to be. Though I wanted to be directly on the square, and though I had grand plans for the Sun Trust building we ultimately found ourselves within, the space of the old Post Office cried out for a landmark. It needed charm and presentation, an audience to marvel over its architectural grace. It also was spacious–far more than was needed–offering the opportunity to grow and expand within a space that didn’t require a massive renovation. Everything about the layout of the store, the event space, the spot where a cafe should have been, the loft office space, front room meeting space…perfect. However, a problem presented itself right out of the gate.

It was mid-April and I was in a time crunch. Wordsmiths had begun as a two-man operation out of an office space not far away. The lease was set to expire. I needed a new home and only had a week plus (at best) to find it. It made no sense to suspend the opening of the store, as the loan for its operation had just been approved. On the original schedule, I would have closed on a lease for the Sun Trust building the third week of April, taking over first week of May, but as detailed, the negotiations stalled and broke down over the length of that lease. I scrambled to the back up, having little to no levarage in my negotiations on the Post Office. The owner was, shall we say, terse and inflexible regarding the terms. I found myself in a dilemma. Take the terms, which required two months up front (plus security, plus first month…you get the drift, a hell of a lot of money requiring the sacrifice of the planned for cafe), or suspend the opening and seek a new location while trying to find a way to make the money needed to keep up with the bank note. Originally, I envisioned a two-to-three-month prep for opening, targeting mid-to-late-July to introduce the store to the public. That left a gap in which I still had the bank note, but without the pressing fear of having no location. I chose the terms.

Despite the glorious run of Wordsmiths in the Post Office, it turned out to be the worst decision I could have made. Hampered by the unplanned for departure of a good deal of cash, the redesign of Wordsmiths left the revenue stream suffering. No cafe meant relying on books, which is never the best idea for a bookstore’s survival. I bumped the initial inventory of titles, expecting to drop back after the initial selldown, hoping to generate the cash needed to, at least, offer some semblance of a cafe. However, issues arose shotrly after the store opened as the owner began making a buzz to sell the building. She made it clear she would not limit herself to selling to investors only. If someone wanted to buy and occupy, she’d take the deal. Which, as time would tell, is precisely what happened. I have no qualms with the family that bought it, they did quite a lot more than they needed to ease the transition. I don’t blame them at all for wanting their business there. However, it became clear investing in a cafe of any size would merely be a waste of resources, so my revenue stream would be what it was; I’d have to make it up elsewhere. Unfortunately, that elsewhere didn’t materialize. Right out of the gate, Wordsmiths fell behind. Having to move 10 months later only worsened the stabbing pain of increasing debt.

So, you see, when I say I view the Sun Trust building as the true home of Wordsmiths, it’s because I know what it had been planned to be–the Vision, if you will–and realize that failing to secure the lease on that space placed the store into immediate, and unecessary, jeopardy. A one-year lease would have been preferable. All hindsight, of course, but enough so to leave a jaded sting when I ponder the value of that opening location.

If I had the money, and that building was again for sale, I would snatch it up in a flash. I love it. It’s grand. It’s historic. It is the true Ghost of Wordsmiths Books.

Wordmiths Books in the historic Post Office. We told everyone how cool it was to be a part of this Decatur historical landmark, but really we just thought we'd be able to read your mail. Nobody said we were smart.

Wordmiths Books in the historic Post Office. We told everyone how cool it was to be a part of this Decatur historical landmark, but really we just thought we’d be able to read your mail. Nobody said we were smart.

 

You Can’t Buy a Car With Cookies

There’s a line in Edward Scissorhands that a friend of mine and I recycle ad naseum. I tried to find a clip, to offer some sense of context, but, alas, ear wax.

It appears this is movie/book line today. I believe there is a limit of two. Moving on.

If you’ve seen the movie, maybe you remember it. If you haven’t, make a date of it. One of the best movies ever. EVER. Pompous Ass Boyfriend Anthony Michael Hall is sitting with Demure Confused Girlfriend Winona Ryder at her family’s dinner table, as her Beligerent Opinionated Father rants about responsibility. He says something, Winona groans or whines. He rants some more, points a finger at AMH, and this happens:

“You can’t buy a car with cookies, can you, Jim?”

“No, sir. You sure can’t.”

So maybe it doesn’t work as well here. That’s why I wanted the clip. I also want financial freedom. And some cookies.

Anyway, the point here is that you need certain things in order to accomodate certain other things, and cookies are not always the answer, no matter how many yummy extras you jam inside them.

Likewise, if you wish to open a bookstore, you need employees who will make it soar. I’ve worked for people who felt any body tossed into the fray will do the trick, but the book game is slightly more targeted than, say, a grocery store or fancy sign twirler dude on a street corner. Bookstores need a knowledgeable staff. Friendly would be nice, approachable even, but neither is necessary. I think most people would agree to being less than shocked if they approached a bookseller, asked for help, with said bookseller then hustling off, face red, to disappear behind a curtain. Book people are generally introverted. It’s why they don’t sell cars. Or go to That Kind of Party.

When I opened Wordsmiths, I didn’t want bodies to fill time slots. I wanted a family. I wanted people I could count on. I wanted to know my customers would always find a voice to guide them through the overwheming cacophany of screaming titles (That’s right. I said titles scream. What are you going to do about it, huh?). It’s one thing to recommend a title that’s been selling. It’s another to passionately sell an author to a new reader. Sure. it’s important to say hello, and have a nice day, and how are you, and why is this phone still ringing; but what truly matters is everything that comes between. It’s the conversation about books that create loyal customers, that make your store worth remembering. I wanted people with great humor, snark, insight and depth to their personality.

I wound up with this:

I did not hire the woman in the black dress, but that would have been kinda awesome, right?

I did not hire the woman in the black dress, but that would have been kinda awesome, right?

There were a few faces that didn’t make this shot, either by virtue of working a day a week, or by not yet arriving, or having not voluteered to work on a night that AMY FREAKIN’ SEDARIS WAS IN THE STORE, but I will always see this as the core of the Wordsmiths clan. Each one brought something valuable to the store. Each one had their place. And I remain in contact with every single one (except for a notable exception that will forever just be referred to as The Woman) to one degree or another.

A bookstore needs its family.

I definitely found mine.

Words In a Box Weigh Heavy

If you ever have a chance to move a bookstore by yourself, don’t.

I made a number of mistakes during the run of Wordsmiths. A lot of them were up front. One of them was not hiring at least one guy who could lift a box of books without tumbling down a flight of stairs. I don’t know, maybe I’m asking too much at this point. There aren’t a lot of physically gifted book nerds in the world, after all, are there? Regardless, the only reason this point has relevance is because one of my other mistakes was not working harder to get the bookstore in the location I wanted to begin with.

The square in downtown Decatur is a charming place. Home to a number of Atlanta’s finest eateries with an endless supply of drink options, unique shops, coffee shops, a MARTA station, beautiful architecture, and as many events as they can cram into that space over the course of a year. It’s hoppin’ is what I’m saying, in case you drifted a bit and began thinking about your next meal. The Arts Festival, Beer Festival, Wine Festival, Beach Party, July 4th Fireworks, and much more, bring thousands of people right there, on the Square, businesses reaping the benefit. And for a bookstore, there is no greater gold than Labor Day weekend, when the Decatur Book Festival arrives. 75,000 (or more) people fill the Square, with books on the mind, and money in their wallet. It is the weekend we long for, our Christmas crammed into three days. If you, as business, aren’t on the Square, then to those who visit, you just aren’t there. Plain and simple. Not when that many people are vying for space, unwilling to wander too far away.

So…my mistake. We’ll call it Mistake #1 on a list that, at last count, has no end.

In my talks with the city, two main buildings were targeted. The first, the old Sun Trust building on the Square, basically ended the conversation for me. That was it. The place. The main floor still housed the ghost of the old bank, longing for something sight-worthy, memorable, befitting of such an historic place. It had a vault, right there in the open, a haven for the creative mind. There were offices, primed to be culled out as book nooks. There were chandeliers, pillars, and so much character. It needed Wordsmiths. I had grand plans at first, far too grand actually. I scaled them back (which if you visited the store might make you wonder how, or what in the world I might have thought was bigger than what I wound up with), focused on the space, and entered negotiations with the building’s owner.

Now, I’m not here to disparage the man. Allow me to make that clear. But–and this is no secret to those who knew him–he was no genius. In fact, to my misfortune, I was the first individual he managed a continued conversation with about leasing the space. Ever. Most people wandered off after “Hello” and “It will cost you THIS MUCH I WILL NEVER BUDGE.” Then again, this was my first leap into a lease negotiation as well. So, there we were, two people with no experience talking about an offer on a lease with no basis of negotiating comparison. In hindsight (a common refrain you may see here), I should have sought advice. I should have asked for help settling on a deal. But as we hammered away, I let my pride, my vision of the long-term dream of Wordsmiths, get in the way. I allowed us to get hung up on the length of the lease. He wouldn’t budge beyond a one-year lease, I wanted at least two (preferring three). Such a short term left me with an unfavorable possibility: Having to move the store after one year, which I wanted nothing to do with. Yeah. Yeah, that’s right. That’s what I said. Oy vey.

It was full of opportunity, and everything I was looking for.

It was full of opportunity, exactly I was looking for.

Negotiations broke down. He told me he had a number of people lined up, waiting for the space. Not wanting to cave, unwilling to deal with him further, I dropped out, wished him luck finding anyone with a business willing to sign a one-year lease, and moved on. Oh, how I wish I had just taken the lease, proven my worth, and built my store there. I would have saved thousands of dollars. Wordsmiths might still be around. Then again, the economic crush of 2008 might have still done it in. I’ll never know.

The story of our second location is another tale altogether. Though the space was beautiful, and historic, it wasn’t Wordsmiths. It wasn’t what I meant for it to be. And it wasn’t on the Square. Granted, it was only a block plus away, but you’d be amazed how far that is. You’d be amazed how much business you gain being in an impossible-to-miss location. Additionally, it left me with the ultimate choice, as mentioned already, I wanted nothing to do with: I had to move the store a year and half after opening it. And guess what? My Country Bumpkin Owner still hadn’t secured a tenant. So we had a chat. Not the first time we would have a conversation about hindsight. And I signed a one-year lease. Just like I should have done to begin with. I’m not a dumb guy, but I sure seem to do a lot of dumb things.

I didn’t have the resources I needed to convert the space to its original design (one that would have included a small cafe), but it came together nicely. I believe, and tell me I’m wrong if you visited and think otherwise, this is the memory of Wordsmiths Books. This is the image that comes to mind when people tell me they loved the store, when they mention the name to anyone, anywhere. When I think of it, I’m sitting in one of the chairs before the store opens, coffee in hand, taking a long look, staring through the front door, clock ticking steadily above the vault to my rear, smiling at the realization of a dream. I could have lived there forever.

It was everything it should have been in the first place. Or, something like that.

It was everything it should have been in the first place. Um. Yeah. Something like that.

The Little Bookstore That Couldn’t

The great thing about having a blog is I can damn well write whatever I want, and you can’t stop me. It’s glorious. If I want to talk about the redemptive quality of reanimated sidewalk-fried worms, I can. It won’t be interesting, but there you have it. I could talk endlessly about all the stupid things I’ve done in my life–and let it be known that I will–and all you can do is groan and tune it out, maybe grumble aloud about how annoying I am. But it will still exist. I can tell you that my dog is stretched over the edge of the couch right now, pining for the Moss to come home, looking like every ounce of hope has drained from her furry little frame, and no matter how that makes you feel, it’s written, done, the webbernuts will keep it forever. You can’t stop me.

And so, I get to do this:

On March 1st, 2009, Wordsmiths Books closed its doors, bringing to an end its short run, leaving behind but memories and a good bit of favorable view. Five years. It’s difficult to believe it’s been that long. Each year I’ve spent a little time on that anniversary offering thoughts, pictures, memories of the little bookstore that couldn’t. I’ve done this because I needed to. I’ve done this because, like a lost loved one, I wasn’t ready to let go. However, time has a way of mending the wound, leaving but scars as gentle reminders of what once was. And we move on.

I’m ready to move on. I’m ready to let go of all the things I might have been able to do to prevent that store from closing. From watching my bookstore family splinter and move on (with one notable exception). From haunting my dreams, nudging my guilt over those who lost money in the process, from tapping that nail ever so slightly into my heart day after day after day. Much like any endeavor in life, there is enough regret to fill a canyon. But that doesn’t change the outcome.

Which brings me to the purpose of this entry. I’m a couple days late on starting, due in part to the final grip of reluctance holding me back, so I’ll make up for it over the next couple days. What I’m going to do is post a picture, with a quick thought or two of the moment, each day until March 1st. I’m culling through the mountain of images that remain, and I apologize to any of you who may not want to be included in an image, or may not consider it the best you’ve had. These images are special to me, and, to that end, I’m not hunting for perfection. Only painful emotions attached to those memories that I can finally put to rest.

If you visited Wordsmiths, then thank you. If you did not, I’m sorry I couldn’t keep it around long enough. To those who wish, I invite you to leave your thoughts, here, on Facebook, or even Twitter (or all). I’d love to hear it.

This is me letting go, in the only way I know how to do it.

The first image is as first image as a first image can get, and requires the simplest of explanations. On June 15th, 2007, Wordsmiths Books opened its doors for the first time. I remember that day well, and I remember this moment like it just happened. I had a lot of hope then. I believed in the idea, and I believed in my staff. I had maneuvered through a great deal of political whooseywhatsit just to get to this point. Regardless of what I might have done different, it is, as my father would call it, a watermark day.

June 14th, 2007, I opened the door to the public for the first time.

June 15th, 2007, I opened the door to the public for the first time.

Adventures Are Not Always Better Than Tacos

It’s been suggested I write about my 7-hour adventure traveling 12 miles from work to home in Atlanta’s Horror Snow. But what can I say that hasn’t already been said? For that matter, what can I say that I haven’t already? I’d offer my sanity was saved by the existence of Facebook, and my insistence on keeping a phone charger in the car, but those who know me might dispute I had any sanity left to begin with. Also, when I find myself saying “I was only in the car for seven hours,” I do so as a comparable to the experience of others, and it begins to feel more like I experienced a mild inconvenience on the way back from the store. People ran out of gas, were trapped in their cars for up to 20 hours. Kids on buses, the elderly in parking lots and on the shoulder, freezing, hungry, scared. Some slept in stores, or at strangers’ houses. Me? Well, I had a 24 pack of water in my backseat I happened to buy that morning, had fueled up the day before, eaten before leaving work. All things considered, I was fine. Frustrated, sure, but fine. I knew I would get home. There was no danger of reckless driving; I used second gear for all of five seconds on my 7 mile trek around I-285. Hard to get into a serious accident at 1 MPH.

You can never have too many plus sides.

You can never have too many plus sides.

By comparison, I had it easy. Worst thing, aside from general discomfort, I had to deal with was an increasingly full bladder. It was suggested I make use of the water bottles available, but first off it seemed a horrifying thought to dump out water when so many people could have used it, and secondly I kept having visions of Lloyd Christmas peeing into beer bottles.

The mechanics of that still confuse me.

What reason had I to complain? I not only had supplies and phone power, I had polar bears to lead me home.

They will lead you home. Or to Svalbard. Either way, follow.

They will lead you home. Or to Svalbard. Either way, follow.

I had entertainment, and a demanding cousin who wouldn’t give me a biscuit:

It's Snow RapSnow More

BISCUIT ME

Sure, I spent the last three hours inching the quarter of a mile to the sign marking my exit ramp, idling for 20 minutes at a time, crawling toward the light like that creepy no-lower-half zombie chick from the first episode of the Walking Dead, but I knew I was close enough to walk if I had to. I knew that once I hit the road, there would be no one in the mall parking lot, and my last mile would be incident free. I knew I had a warm home, food, much drink, a comfy bed, and loving Moss waiting for me with somewhat still warm Jambalaya just a mile and half away. I knew, unlike many of my friends still stuck miles from home, my It’s Snow Adventure Really time was nearly at an end.

If you don't know Jim, well, sucks for you.

If you don’t know Jim, well, sucks for you. Almost as much as misspelling grateful.

What I went through wasn’t horrible. Being born in a car on 285 is horrible (though being born and surviving is a definite plus). Being an elderly couple stranded in a car, unable to walk because the husband is wheelchair-bound is horrible. Being told your child is stranded on a bus on the side of the road, with no gas or heat or food, and being able to do nothing about it is horrible. I just had an experience. An inconvenience. It was nothing to whine about.

I saw enough from my city to be reminded why I call it home. As I posted yesterday:

Yesterday I saw enough kindness to alter the way I feel about Atlanta. People jumping out of cars to help others gas up, offering ice scrapers to those trying to get their cars moving, businesses opening their doors, strangers opening their homes. The city wasn’t prepared for this. But the people have responded. Well done, folks.

Atlanta: We've survived the Olympics, sorta survived the Zombie Apocalypse, and we'll survive this.

Atlanta: We survived the Olympics, sorta survived the Zombie Apocalypse, and we’ll survive this.

The Living Story

I haven’t been writing for the entirety of the limited experience that I call, “life”. I mean, well, obviously I wasn’t writing in the womb, nor did I pop out with pen and paper and get to scribing my experiences in utero. I suppose that would have been quite the story, if not, an altogether painful experience for my poor mother. So, what I mean to say is, though I may have spent the majority of my capable time on this earth writing, I have some lingering years remaining that offer no insight whatsoever into my life as a writer.

What is that supposed to mean? I take it to mean that I need more coffee.

The thing about life, see, is life, in and of itself, is a story. Not the words you put on paper (or screen in this modern age), or in the ideas floating about the nether regions of your mind, plucking you awake at the most obscene hours of the night, but in every aspect of every person in every day that you live. Writing is, more or less, the centrifuge to the swath of stories we swim through on a daily basis. Perhaps because of this daily exposure, the anti-originality escape clause of “there is no story that has yet to be written,” gets bandied about with regularity. Eh. Maybe. It is a rather unoriginal thought, so, sure, the stories that are written are nothing more than variances of stories that have been around for centuries, experiences we have, personally or by degrees of separation, experienced. Stories your grandfather told you on cold nights by the fire, stories you heard while eavesdropping on that squabbling couple in the cafe, stories chipped in tablets and handed down (or succinctly dropped on the floor and cracked into pieces by that snarky caveman-esque editor with no appreciation for the man-mammoth-woman love triangle). But in each story, in each tale that rings of familiarity, there is a unique perspective, a unique slant, something that only happened that one time.

Oddly, it took me a while to see this. I had to actually look up from the page, so to speak, and take a nice long look at the world. I had to see how, in its persistent way, life prodded the art of storytelling. Let’s face it: Writers can become a touch insulated. A tad protected from reality whilst we delve into the preferred insanity that is our chosen world of fantasy. It’s safer there. We can do what we want. We can kill those who have wronged (or, sadly, been nothing more than model citizens), feel remorse, and move on without consequence. We can encourage affairs, destroy relationships, leave the winning lottery ticket on a bench, force someone who needs it desperately to toss it in the trash because, well, they’re just that responsible, then stick our tongue out at them when they realize what they’ve done a few hours later.  We can rule the moon, take the fragile psyche of a beaten soul and thrash it upon the ground like a small child who is curious to see what happens to the turtle inside the shell once it is broken. But we’re always safe, because it isn’t real. It’s just a story, and they’re just characters bent to the will of our perverse madness.

Some time ago I heard it stated that every writer has within them a musician wishing to break out (and likewise, it seems, many musicians have an insane loon within them wishing to break out), which makes sense, albeit in a slanted twist of logic.  After all, art in any form tends to illicit rhythm, flow, a pace to move to. A musician is to a writer is to a sculptor, is to a painter, and so on. But while each is an aspect of the fabric of life, life is the true art. Life is the song. Every life is a story, and in turn, every story is alive.

It’s so easy to forget that your little experiences, your seemingly insurmountable trials, your possessed frustrations are shared by all of those around you. We all feel a bit like Truman, trapped on the stage, the world as our audience…ever so alone in our experiences. But the world is replete in repetition, and in shared experience. No, the mind of that person next to you is not yours, and their similarities are not as yours, but their story is like your story, only in variation, in tempo, and it’s enough to make it unique. We are bound by what we are: living creatures who wander like mobile trumpets, blaring our stories for the world to hear. You only have to listen.

Life is everywhere. So are the stories.

Edit This

A Storyteller’s Revision

As a young boy, I fell in love with Harry the Dirty Dog. After all, I hated baths, and the idea of burying the scrubber and running away had occurred to me countless times. In later years, I found comfort and familiarity in Judy Blume’s Tales of a Fourth Grade Nothing and Frecklejuice. In Middle School came The Witch of Blackbird PondThe Scarlett Letter and every word ever written by the inimitable master of fright Edgar Allen Poe. It was at this time I wrote my first story. I’m not sure the title, but it involved a young boy, a baseball game, and overcoming a horrible ankle injury to win the championship. I’m not sure what happened to it, but regardless of how awful it likely was, I’ve never forgotten it. As a starting point, it was comfortable, familiar and hopeful. I don’t recall writing another story until I reached High School, a few years later, where a simple read of A Tale of Two Cities changed everything. It was fabulous. Breathtaking. Inspiring. I wanted to be a writer. I wanted to craft stories that thrilled, captivated, and most certainly entertained. I wanted to be remembered, as I had remembered those that inspired me. So I began writing.

It went horribly for a long time. Not to say I was a horrible writer. Just that my dreams were not surpassing my reality. Fear and doubt intervened. The weight of adulthood crushed me. Bills mounted. My skill plateaued as I fought to survive, as I managed to write as time allowed, as I read intermittently, as I refused to let go despite the screeching gnaw within my brain. If I had the courage to brave reading my material from that day, I might wonder how it is the desire survived. The potential was there, however dormant, suffering from a lack of experience, and proper guidance. But I persisted. I kept writing. I met successful writers, whose wisdom and sage advice strengthened my voice, and my resolve. I set aside my love for Terry Pratchett and Douglas Adams in order to concentrate fully upon what I wanted to write, rather than my desire to fit in their mold. Anointed: The Passion of Timmy Christ, CEO was, and still is, a fine book. One I can be proud of. Flutter followed it nicely, though I still believe my mind set at that time left me a bit vulnerable within, too raw to maintain the tempo and cadence I wanted it to have.

Since then, I’ve been quiet. Not so much quiet in my every day existence, though I’ve had some moments, but rather quiet on the publishing front. Partly, this is due to circumstance. Partly because I insist on being the best writer I can be, reluctant to offer substandard material. I want to be read well, to sell in high volume, to be revered. But I never want to be Dan Brown, James Patterson, or God forbid, Stephanie Meyer. I want to be Judy Blume, Nathaniel Hawthorne, Edgar Allen Poe, Charles Dickens, and so on. I still want the same thing fourteen-year old me wanted: to be remembered as one of the greats.

And though that has as of yet materialized, the blessing of the writing life is there are no restrictions of time. In fact, much as the apprentice must rise to the level of Master before being recognized for their skill, life has taken me on a tour, an education I may not have asked for but have greatly appreciated. It has granted me the chance to learn, to improve, to better myself as an artist as well as a person.

Most importantly, it brought me Oliver Miles.

It gave me a glimpse of the boy I was, of the countless stories that inspired me, of the many hours I dreamed of what it would be like to walk the worlds within the pages that so fascinated me. Of what it would be like to be the hero. And when The Storyteller spoke, he did so easily, with great intent, with a yearning need to heard, with the voice of a child who longed to matter.

In the Beginning there was a boy, who very much belonged to the books that he loved.

In the beginning there was a boy, who very much belonged to the books that he loved.

He gave me something to believe in. Something special.

And the journey of fourteen-year old Oliver Miles began, precisely where my love for writing was born: In the pages of his favorite books. His passion, however, rest squarely within the five-book series, The Damon Grell Chronicles, a collection he read countless times, arriving at the final chapter of the final book with the same unshakable sense of frustration and disappointment.

“‘Infusco!”’ The light shrouding the figure became heavy and fell, dull waves of warmth tattered to thin wisps by cold shadow.  Silence embraced the chamber, expanded into the growing darkness, and broke in a grinding shift of granite upon granite.  The coffin fell open, its lid split in two upon the sandy floor, the shadows alive, swirling, absorbing all light, taking form, and Damon Grell rose once more.”

After all, Damon Grell didn’t simply fail in his final showdown with the dark Lord Ahriman. He died. And, as if the pain of that loss alone didn’t suffice, Damon was then resurrected by a shadowy figure at the story’s end, leaving the world of Elysium without a true hero, and Oliver without a sense of resolution. Though Damon has been raised, there’s no way to ensure his state of mind, or abilities. Without Damon, Lord Ahriman would rule over all. Without a proper hero, Elysium would fall. Little could Oliver have known that Elysium had indeed found its hero, and that he, Oliver Miles, was the one it had chosen. Drawn into Elysium by the mysterious Storyteller, Oliver finds a world more real, more deadly than he could have dreamed. A world where the magic of words and the future hope of Elysium lead him into a race to find the resurrected Damon Grell before the Shadowheart—the most powerful form of magic known in Elysium—can fall into the hands of a rising darkness that threatens to destroy the world.

I am possessed by this story, and the subsequent four that round it out. So much so that I find the need for it to be perfect. To honor the story fully. I’ve worked on it for years, completely rewriting it several times, most recently last Fall. I have so much back story, I could effectively write The Damon Grell Chronicles as well as the origin story of the individual who would ultimately be known as the Storyteller. I could spend the rest of my life delving into the many side stories and companion pieces had I the opportunity. Perhaps I will. It would be a tremendous thrill to be afforded the opportunity to do so.

As an artist, I am compelled to believe in my work. To believe in its value, its credibility. To raise it above my head and proclaim it special in ways no other work could proclaim. And so I shall. However, I do so with a sense of awe and wonderment over the feeling this tale leaves me. I do so curious over what plan the Storyteller put in effect upon handing me the details of Oliver’s journey. I do so more confident than I’ve ever been that I’ve honored the wish of a fourteen-year old boy who longed to have a voice in the literary world that truly mattered. And soon–hopefully quite soon–you will understand why.

I Don’t Wanna Wait For This Show to Be Over

My mother once referred to this as a blob.

I don’t think she entirely missed the mark.

After all, I’m not sure that what I do here is any different than unleashing the congealed thoughts of my mind, watching them dribble onto the electronic page at a speed one might delicately refer to as “methodical”. The Blob was methodical. It works. So, welcome to my blob. Let’s move on.

The Moss and I are very much routine-oriented. There is a period of time, generally an hour or two before sleep comes knockin’, in which we wind down by watching television. Used to be this involved watching episodes of Income Property, or getting yelled at by Guy Fieri, or marveling over the brazen stupidity of the contestants on Chopped. Then came the infamous day she asked me if I had ever watched Buffy. Which I had not. Which left her amazed I had somehow survived without it. Which made me question my ability to keep my heart beating Buffy-free. I was hooked by the theme song, destined to live another day. And so, thus began the nightly routine of working through shows we’ve always wanted to watch, or were amazed the other had missed. From Buffy to Angel (Right? Because you can’t watch one without immediately watching the other, and also because David Boreanaz.) to Dead Like Me to Lie to Me, we engaged in an episode or two each night, unable to break away to the Live World of Programming, deeply disappointed when any evening’s events (generally involving Baseball and the West Coast) prevented another round.

Then this happened:

This Is James Van der Beek, which is a silly name, a.k.a Dawson Leery, which is less silly unless he's attempting to cry.

This is James Van der Beek, which is a silly name, a.k.a Dawson Leery, which is less silly unless he’s attempting to cry or being Dawson.

Okay, so before I get started, let me just head off all the Dawson’s Creek fanatical outcry by saying this: I didn’t hate the show. But I would have loved it a lot more if it had been called Pacey Witter’s Whiny Distraction, or perhaps My Best Friend is an Annoying Unlikable Know-it-all: The Pacey Witter Story. Because, let’s face it: This show would have tanked without Pacey. We not only liked him, but unlike the rest of the crew, HE ACTUALLY DID STUFF. He even went so far as to evolve naturally, and much to the dismay of ever other character not named Joey, grow up. Better yet, my burgeoning man-crush on the cheeky Joshua Jackson aside, Pacey led us to Fringe, which is better saved for another blob because my one-thousand word review is somewhere around a manuscript at this point. It needs edits. And more pictures.

Here’s a picture:

Will someone please tell me who I am?

Will someone please tell me who I am?

We’re definitely Michelle Williams fans. How can you not be? But what the hell was the deal with Jen Lindley? It’s as if the writers carried her forward as if she were a cup of hot coffee that may, or may not, have too much sugar and/or cream, or might not have even been coffee at all but merely an empty cup that was neither hot nor cold nor just right. She crushed on Dawson until he wanted her, then bailed (rinse and repeat a few seasons later, then once more for good measure), was a cheerleader for a minute, went from bad girl to wanna-be-good-girl to bad girl so frequently and efficiently that watching Miley Cyrus or Lindsay Lohan is a rather tame affair, pined for a gay guy, had some weird Dawson-esque love/run/don’t love/love thing with a weepy eyed kid named Henry, befriended every most hated character on the show and wondered why no one understood her, was an on-again off-again alcoholic weirdo, was a music dj out of nowhere who did her thing and then suddenly just didn’t, tried to have sex with pretty much every character willing (or even unwilling, actually), and had the most inconsistent, indecisive, and outright awful hair of the entire show.

And why didn’t anyone on this show ever get carded? I mean, sure, they all looked like they were pushing thirty, but somewhere, someone had to have had their doubts, yeah? Or at least a love for keeping their business open?

Then there was Andie, whose endearing fast-talking, brainiac, neurosis somehow morphed into a psychopathic raging mental breakdown out of nowhere, despite the fact that she was dating Pacey, who, as mentioned, was the gold in this pawn shop classic. Before we could come to grips with this surprising about face, she was carted off to an institution, to be locked up with Michael Meyers I presume, and fell in love with some random crazy guy who couldn’t at all have been as snarky as Pacey and his I Call Everyone By Their Last Name wit. Which would have been fine if they hadn’t brought her back, because I suddenly didn’t care. She just became another character on the Let’s Annoy Pacey Because He’s the Heart of the Show dog pile.

Grams was cool. I liked her. She’s my defacto Ms. Ruth in The Storyteller.

Dawson’s parents were weird. Not in that, Every Kid’s Parents way. Just in that I Feel Sticky Because You’re There kind of way.

Audrey waffled between annoying and acceptable. As with every other female on the show, she was only acceptable while dating Pacey. Anyone notice how crazy these girls got without Pacey in their lives?

I liked Jack when he played football. College Jack made me want to pull ears off bunnies.

Oh, Doug. Pacey knew all along, didn’t he?

Some chick shows up, named Eve, right? Looking for her mother, or something. Gets Dawson all worked up, because, well, because he’s Dawson. Makes herself a nuisance. Seems loony. Then she’s all I’m So Sad Because Family, and we’re supposed to like her. Then she leaves. We find out who her mother is. Then it’s never mentioned again. Right. That.

Katie Lee Holmes married Tom Cruise. I mean, is it possible to look past that? And can anyone remember Joey’s profession? I don’t think she can either.

Interestingly, there are several more characters, plot points (what’s that? Dawson’s dad had a contract dispute? KILL HIM DEAD NOW AND HAVE DAWSON BECOME EVEN MORE INSUFFERABLE THAN EVER AMEN PLEASE.), blah blah blah I could ramble on about, but it only now occurs to me I have not even mentioned this:

Dawson, what's the deal with you hair?

Dawson, what’s the deal with your hair?

No, seriously. Your hair is just ... it's just awful.

No, seriously. Your hair is just … it’s just awful.

I mean, it hurts just to look at it. This is why I can't be with you.

I mean, it hurts just to look at it. This is why I can’t be with you. I know you don’t understand, on account of being Dawson and all.

Holy hell, you hair is so awesome. I totally love you.

Holy hell, you hair is so awesome. I totally love you.

What have you done, Dawson? His hair! You messed ... oh, wait. Never mind.

What have you done, Dawson? His hair! You messed … oh, wait. Never mind. Jealous.

I think that sums it up. I mean, sure there were a few instances where we were worried about Pacey hair (the goatee comes to mind) and whether or not Joey would choose it over Dawson’s weird feathered 80’s locks, but dude had a boat, became a chef, slept with his teacher, dated a psychopath, traded stocks like a boss, and never once did his hair look out of place. What did your hair do, Dawson? Nothing. NOTHING. Maybe How Pacey’s Hair Won the Internet would have been a better title.

As mentioned, I didn’t hate this show. The first three seasons were pretty okay. After that, the show just annoyed me. There are reasons I don’t want to be a teenager again. Dawson’s Creek nailed all of them, and added a few for good measure. It’s the only show we’ve thus far watched that I could not wait to finish. I just wanted it to end. And it haunts me still.

Of course, I can wash some of it away with this:

If not, I can just watch Dawson cry.

The Golden Ticket

One day does not a year make.

But, doesn’t it?

I had intended on writing a blog today about the maddening mess of mental malady that was my 2013. It was awful. Nothing seemed to go right. Plans were not merely rerouted, but torn to shreds by this monstrosity of a year. Short of 2009, which saw the close of my beloved Wordsmiths Books (as well as another unmentionable dissolution), there has been no other year spurning more depression and anxiety than 2013.

Then today happened.

Can one day really undo the damage the preceding 364 brought?

This once, I can say undoubtedly so. After all, being lost in a desert might be a continual trek through despair, misery, and pain; a plodding journey toward inevitability. Yet, find your way free and wouldn’t the memory of it all seem somewhat diluted? You survived, right? That has to cast some light upon the shadow of your anguish.

My light arrived by way of the Georgia Center for the Book. I am pleased to say that, as of January 6th, 2014, I will assume the post of GCB  Assistant to the Executive Director. I’m not sure if that’s the official title, but it sounds Schrutian (Schrute-ian?) enough for me, so I’ll go with it. If I can walk around screaming, “Michael!” then they can call me whatever they want. Regardless, I’m beyond excited to be joining this organization. As a writer, as a reader, as an individual who longs to see a greater emphasis on literacy, this is the job I have longed for. This is the place I belong. Additionally, it places the Moss and I back in Decatur, a city we have missed quite dearly in the year we’ve been away.

What is the Georgia Center for the Book, you may wonder? There’s a lengthy description here, but to summarize, here is a list of the Center’s Activities:

Sponsoring over 100 programs each year bringing authors from around the nation and the state for free year-round public appearances.

Sponsoring the 2012 Georgia Literary Festival November 9-10 at Jekyll Island.

Sponsoring state student literary competitions in two national programs,Letters About Literature and River of Words

Developing programs to take nationally known authors to libraries around Georgia with a “We the People” grant from the National Endowment for the Humanities through the Georgia Humanities Council. The first “We the People” program was successfully held at Young Harris on January 29, 2007.

Co-sponsoring major state literary awards including the Townsend Prize and the Lillian Smith Award.

Georgia Center for the Book

It doesn’t fully encapsulate the enormity of the organization’s purpose or impact, but it offers a nice glimpse into their reach. I look forward to assisting them in their work, helping to generate further awareness, and joining with the GCB Executive Director, Joe Davich, in expanding and evolving its reach.

This is not Joe Davich. But it really is.

This is not Joe Davich. But it really is.

2014 seems to be opening with a bang, offering an array of possibility, leaving the memory of 2013 as but an exercise in endurance. A period of brutal pain and misery, suffering and depression, yes, but also of survival, of resilience, and of the rewards that come from a refusal to lay down against the weight of it all.

This is no way detracts from my writing, or from my desire to reach as many readers as is possible. Book One of The Storyteller is still moving forward, the reissues of Anointed and Flutter are in the pipeline, and the initial response to my current manuscript, Specimen A, is glowing. 2014 is, indeed, lining up nicely, and I more than look forward to the adventures it will offer.