The Manic’s Guide to Connections

 

The moment he took the taser out of the case, I sat down and waited. I knew what came next. In that inexplicable sense of destiny, or fate, or the complete and utter understanding of my best friend/meta-sibling’s personality, there was nothing I could do to stop it. It took only, “I wonder what it feels like?” to inspire him into action. For three seconds, he held the charge against his arm, smile twisted in a blend of shock and amusement. Anyone else and I’m running to stop them. But this is the guy who covered his face in shaving cream in order to act like, I don’t know, a rabid Frankenstein or something, then wound up screaming his way down the hall because he hadn’t expected it to burn so badly. This is also the guy who filled a plastic container with butane, stuck his hand through the opening, lit a lighter, thereby (shock!) rendering his arm hair to curled, horrible smelling, reminders of what once was.

This is the smartest guy I know. No, truly, he’s brilliant. In fairness, this all took place over twenty years ago, so perhaps his judgment merely lost its battle against youthful curiosity. A fight we all remember losing more often than not.

I, myself, have lost that battle numerous times, predominantly in the pursuit of the ideal connection (a.k.a. Twoo Wove, a.k.a. Aphrodite, a.k.a. Zach’s Insane and Somewhat Naïve Quest for Completion). The trick—the part I always lose myself within—is getting beyond the initial connection and immediately attempting to translate that into some state of permanence. Some might call this a, “relationship”. I have called them, “oops, nope”. Still, I persist. After all, life can be whittled down to nothing more than an ongoing series of connections, right? Like the charge through my friend’s arm, we absorb the shock and it fills us. It enlivens the mind and heart; and, sure, it scares the hell out of us, but we do it anyway because stopping seems as likely as travelling through time in a DeLorean.

Speaking of which, I read an article regarding the activity of particles in relation to time. The prevailing theory the scientists presented stated that particles show behavioral patterns based on future events, working then backward through the complexity of what we know as “time” in order to reveal their true nature. Now, I have neither a chalkboard, chalk, nor Doc Brown’s manic energy to explain any of that; but it did get me thinking about the connections (and disconnections, for that matter) I have experienced in my life.

Perhaps, in this context, connections are actually echoes from the future. Perhaps we know we’ve met someone important in our lives because—as with the nature of particles—we’re seeing the result that will be instead of the emotion of the moment. Perhaps all of this is utter nonsense and merely an escapist means by which to avoid the reality of the patterns in my life.

Until recently, that pattern has gone like this: I find a connection, I feel alive. I have a sense purpose, completion, and a dingle-dangle twinkle of the ever-elusive surge of happiness. I dive headlong, the connection following my lead. The connection is strong, the pairing complex yet thriving on simplicity, the bond like, I don’t know, every metaphor for love ever stated. Something with flowers and sunshine, probably. Or waves across an otherwise silent beach. I could probably invent one that has to do with tacos, but it might make me hungry and then I’ll spin off into some tangent on cheese.

Mmmmm…cheese.

Anyway.

The point. Right. The non-cheese point is that every new connection thrives on the euphoria of discovery. The newness, the elation of two people sharing commonality and dreams. Ultimately, this wanes in favor of reality, personality, behavior, and the truth that some people just like to shock themselves with tasers to see what happens. And that’s okay. I didn’t know that. I was under some deluded impression that every connection required permanence. It had to last forever, otherwise what was the point? Not quite a shock to the arm, but I did do it to myself and marvel at the results.

Sometimes you meet someone, you share a connection, it feels ridiculously good, then the river of life leads you to drift you apart. Or, sometimes you meet someone, you share a connection, it feels ridiculously good, then no matter how much you want it to continue, the one you’ve connected with drifts away on their own, leaving you to wonder what in the hell of hells you did wrong.

And that’s okay too, I suppose. Everyone deals with this stuff in their own crazy ass ways.

I’m no atomic particle travelling backward through space and time, but regardless of outcome, I’ll take the connection, no matter the result. Sure, I have wants, needs, dreams I can’t shake no matter how hard I try; but I can’t be without connections. Which means I might need to fill the container with butane and burn my arm hairs off from time to time. I might need to shock myself just to see how it feels. I might even need to act like a rabid Frankenstein just to see who runs away first.

Life’s a crazy thing. May as well be a little crazy with it.

Welcome to the world, Broadleaf Writers

I have ideas.

Many of them become stories. Some of them blog projects following my work-in-progress. Some of them become real things. Some of them stew in my brain for years before finding a port worthy of docking. A place where like-minded individuals may come aboard and assist me in making my dear sweet eager idea a reality.

Today, I get to unleash another into the world. Today, the Broadleaf Writers Association becomes a reality.

Sweet.

What is Broadleaf? Why is Broadleaf? How is … never mind, you see where this is going.

To simplify things here: Broadleaf Writers is an organization dedicated to educating and inspiring writers to become better writers. We believe the path to publication is paved in the perfection of your craft. We believe no writer should stand alone in the pursuit of their passion. We believe writers should explore the style they feel is best suited to their skill, that any genre may contain brilliance, and that nothing soothes a writer’s soul more than the opportunity to commune with other writers.

Through seminars, workshops, networking and peer groups, and much more, Broadleaf Writers is meant to be the home every writer has been looking for. And to kick it off, we will host the First Annual Broadleaf Writers Conference in September 2016! The site and date will be announced soon, as will the first of a growing list of fabulous, experienced, writers who will serve as speakers and mentors.

We’re still a bit under construction (aren’t we all?), but we’re very eager to get started. In addition to the above, we will be opening membership enrollment soon, in order to grant writers greater access to information on Broadleaf, educational opportunities, and discounts on the programs we offer. In the meantime, we’ve started a Facebook page, we’re on Twitter, and we have established a website at broadleafwriters.com! Please give them a look, like, follow, sign up for our newsletter (on the website!), and help spread the word. If you would like to donate to help fund our organization, we would be most grateful! There’s a donation button on the website, or if you would like to discuss it via email, I can be reached at broadleafwriters@gmail.com. If you have any questions, comments, thoughts, ideas, or any other word I’ve managed to forget in the sentence, email me, comment below, message the Facebook page, tweet to us, we’re easy to find!

There are so many talented, passionate, writers in the area, in neighboring states, in the Southeast, and we want to shine a spotlight on every one. Whether a New York Times bestseller, a product of the small presses, self-published, or one of the many seeking to become part of the process somewhere, we are all one family. One group. One idea seeking a port. Come aboard. This is going to be one hell of a ride.

Though this idea did stew in these here brain meats for more than two years, I would be remiss in failing to mention my wonderful Board of Directors. Though still in its infancy in size and scope, Broadleaf would not exist without their time, energy, and dedication to this dream. So a very heartfelt thanks to Alison Law, Ricki Schultz, Bill Bridges, Barbara Friend Ish, and Collin Kelley. You are all so wonderful, gifted, and a thrill to work with. LET’S GO TEAM!

If you have an interest in potentially joining the Board, offering your time on our Conference committee, or volunteering as the need arises, please feel free to email me. With all that we hope to accomplish in the coming year and beyond, it will take a small army of individuals working together to build our family.

So as to avoid spending two thousand additional words worth of your time detailing all that Broadleaf can be, all that gives me the tingles when I think on it, I’ll leave it there for now. Please do contact me if you have questions. Help us spread the word. Like us on Facebook, follow us on twitter, sign up for our newsletter. Donate if you can. Every single dollar will make a difference.

BWA Logo

Charles in Charge and Writing Do Not Mix

Sometimes I’ll do anything I can to avoid writing. I’ll run from the computer like it’s a Charles in Charge reunion special. Reading, destroying brain cells on Facebook, over-managing my fantasy baseball teams, catching up on baseball news I already knew, Words With Friends, walks, shopping, driving, sitting on the patio like a grown man in time-out, harassing the cat … name it. It runs contrary to the idea writing is my passion, my life, I know, but I do it regardless. Not because I’m afraid to write. Rather, because I’m afraid to write badly.

On the surface it’s an absurd statement. It reeks of a failure in confidence. If you’re afraid to write, avoiding it for any reason, then perhaps writing isn’t for you, right? However, I don’t lack confidence in my writing. Though I’m no savant and have a great deal yet to learn, I’ve worked hard on my craft. Besides, Publisher’s Weekly thought well of me. Shouldn’t I? My issue, though, isn’t with my talent, or my ability to weave a compelling tale, or whether or not what I’m about to type will be pure crap. The ‘delete’ key takes care of that. If not, editing exists for a reason. What I’m afraid of is producing work that floats off into the ether like space debris: forgotten and forever to orbit in the dark vacuum of nothingness. Perhaps that means it was bad, perhaps it doesn’t. Sometimes you can feel so damned positive you’ve written something great–or at the least good–only to watch it wander into an uncaring world that as much notices it as avoids it altogether.

Maybe that doesn’t qualify it as bad, exactly, but as a writer it becomes difficult to separate good from bad when feedback is non-existent.  Sure, you get some words of encouragement from those who know you, or from other writers, or beta-readers, or even your Publisher/Editor/Agent. They like it. They praise you in widely generic ways. They might even specifically site an instance in your work they particularly liked. Which makes you smile. It makes you proud. It gives you that momentary feeling of heroic wonder. Then it becomes print, you talk about it through various social media portals, maybe you have some events, and you wait for the accolades and reader reviews. And wait. And wait. Ultimately, the silence invades your mind, leaving a gap in your defenses wide enough for an F5 tornado of doubt to plow a destructive path through your pristine landscape of ignorant bliss.

No matter how much you talk it up, nobody’s talking back. Your book sucks. It must. It has to. You re-read it. It doesn’t feel as sublime as the last time you looked it through. Are you no longer blind to the truth, or have you allowed silence and doubt to insert their impression in your head? What does that mean for your current manuscript? Should you suspend writing in order to review what you’ve written? Will this unedited piece of unfinished potential crap offer you insight as to why your recent work is failing? Or are you over-thinking it? Of course, you can go to your Publisher/Editor/Agent for advice, but they’ll tell you to cool your jets, this kind of thing happens all the time. But no, you think, this is happening to me. It wasn’t supposed to. My book was good.

Or was it?

It’s troubling to think all this can cross through the mind in a fraction of a second. Even more troubling, however, is the anticipation it can and might likely happen to your work-in-progress–before you’ve even finished it. You have constructed a fully viable, fully entrenched, vision of your manuscript’s future while it still doesn’t even know how it will end. The characters are gathering for an intervention and you’re in the corner wallowing about how nobody will ever care about anything you write. Ever. I suppose if I were a parent, I might better understand this, or how to cope with it. My cat doesn’t inspire worry. Her naps will always be quality naps.

So, I’ll stare at the computer screen, eyeing the open Internet tabs, finger ready to open Scrivener. I might read what I have to that point, if I haven’t wandered off already. Maybe pack the laptop and head out for coffee, read it there. Maybe take a drive to hunt for inspiration. It doesn’t happen all the time, and generally by the time I’ve begun typing, my fears have waned. My characters are at the forefront. I’m a God, moving pieces, orchestrating fates, divining obstacles. All is good. My work is good. My story is good. My book, so far, is good.

I’m a writer. I don’t write simply because I can. I write to entertain, to bring something to someone’s life they will enjoy and share. It’s narcissistic, cathartic, inspiring, and humbling. I like to imagine a God, creating a Universe, filling worlds with living creatures, molding paths, futures, destinies, holding arms to Heavens when the job is done, with a notable “Huh? Awesome, right?” expression. That God would be bummed if even the crickets went silent. I guess it’s okay for me to be as well.

I just need to keep writing.

Maybe a drive first, though.

Russ Eat Meat

This whole Talking About Wordsmiths thing is at a merciful end. Its intended purpose–to purge the final glistening dew drop from the leaf of my life (whatever that means)–has been fulfilled, as I find myself lacking the desire to post anything further. I’ll drop some pictures with brief captions tomorrow, in an effort to blast the final tidbits of favorable memory into the ether, and to honor those who meant more to my efforts than they might realize, but I think this will be it.

I can think of no better way to finish it.

I previously detailed the launch night of Anointed as one of my favorite nights. Though I must admit to the self-centered affixation to that’s night’s purpose, I can’t deny the book launch portion was but a reason why it was my favorite night. You see, Wordsmiths Books became the ring for a rather entertaining (and, admittedly, one-sided) tug of war. One that carried on like a fifty round bout, no ref in sight to stop the continual beatdown suffered by one of the contestants. Or better, it was like watching a train wreck, plane crash, and hundred-car pile-up, all rolled into one, unable to turn away, unwilling to ask why it must go on in perpetuity. It was mesmerizing.

Enter the ring, one Joe Davich. Undefeated. Unbeaten. Indestructable.

The Undisputed Featherweight Champion of the Verbal Smackdown

The Undisputed Featherweight Champion of the Verbal Smackdown.

His opponent, his defensive retorts weighing in at an unprecedented, and immeasurable, Zero G, Russ Marshalek.

Um...

Um…

Every war has an end. Every skirmish a victor. Every moment, a future defined. On February 22nd, 2009, the verbal spat that was Davich v. Marshalek came to a climactic conclusion, on the stage of Wordsmiths Books, before a captivated audience of 150. It will forever be known (by at least one local, who flings it with regularity every time he sees me) as the day the world paused in reflection, uttering the words “Russ Eat Meat” with nary a clue as to what they meant.

Setting the ground rules only encouraged the wine, and the whine.

Setting the ground rules only encouraged the wine, and the whine.

Content is unecessary. In fact, ask me to recount the round by round commentary, and I’ll stare at you blankly for a time, finally bringing myself to say only, “Joe won,” with a notable shiver. I don’t remember the punches. I only remember the result.

I can offer for certainty that Russ fought with great resolve, challenging his opponent with cited passages in defense of … well, no idea really. In defense of something.

The Defense

Joe responded, as only Joe can.

"Dear God, Mother Mary and Madonna" was uttered a few dozen times.

“Dear God, Mother Mary and Madonna” was uttered a few dozen times.

His counter left Russ reeling, coiling into a bottle like an infant to the teet.

At some point, you just have to forgo the glass.

At some point, you just have to forgo the glass.

Posters were brandished, slogans were uttered, Marisha Pessl was slandered, people laughed, people cried (out loud as part of laughter perhaps, but still), I was amused, the wine vanished. In the end, the champion stood, proud and victorious, stepping from the stage with a haughty grin, parting the crowd like Queen Elizabeth (for a more detailed description of anything Queen Elizabeth ever did, please see Sir Davich), off to celebrate his long-sought dominion over the defeated Wonderboy.

If not smug if you're Joe.

It’s not smug if you’re Joe. Neither is it ever misspelled.

It was a great night. A fitting end to a store that was about more than just selling books. It was a sitcom without cameras, a novel without a writer, an entertaining home without a pug. It took a great deal to organize (actually it just took a customer telling the two of them to put up their Hello Kitty purses and hash it out on stage, which was a glorious moment for all), a tremendous amount of wine, and a propoganda war unlike any ever seen, but it happened nonetheless.

Wordsmiths Books: Wage your verbal war on our stage. Please. We’re bored.

How to Count to Five in Eight Easy Numbers

A couple of things up front. First, my “every day with a blog about Wordsmiths” thing didn’t work. I blame the snow. And the logjam of work it piled up in the process. And my need to do actual writing that benefits my future. And side projects I don’t talk about that take up more of my personal time. And Bush. Secondly, I find my titles in the bottom of coffee cups, so don’t blame me if they fail to convert into meaning of any sort, or link to the post I ultimately write.

Nothing is my fault. I am the fault of nothing. The Nothing. Oh, that was a good movie. Like.

There aren’t many days left to February, which means I have only a few more opportunities to write about my wayward bookstore before it’s five-year-closing anniversary sweeps on by. So, some of what I might have written about (which perhaps might not have been that interesting anyway) gets canned like Armageddon Tuna. I don’t know what Armageddon Tuna is, so don’t ask, but I’m sure it makes sense somewhere to someone. Hopefully, they have a can opener. The rest of the process of opening and closing a bookstore is really just a matter of money anyway. Or, lack thereof. Having cited how the store got behind at the outset, I don’t think there’s much mystery left. Quite a lot less than, say, how I can write a heartfelt post about Wonderboy, and not hear a peep from him about it. That’s quite mysterious to me.

Take away the stress-laden nausea-inducing daily grind of owning Wordsmiths Books, and what I’m left to talk about are a few standout moments, and a few exceptional people. Maybe I’ll find the time to go one more post deep about the inner mechanics. Maybe not. Maybe I’ll drink more coffee and see if my dog’s empathetic beacon fries. Beacon fries? Bacon fries. Whoa. Want.

Bacon. The momentum killer.

Where was I?

Um.

Dunno. My brain just completely stopped.

Well, regardless, I know what I had planned on writing about, so let’s a get a move on.

In addition to the forthcoming Closing-Date anniversary, there’s a far more pleasant anniversary to celebrate. Five years ago tonight, Wordsmiths Books held its final event. There are a great many things about that night I will always remember, but saying farewell to my employees as they passed through the door a final time (I was to work the last week alone…it just seemed appropriate, and a bit necessary to be honest) was heart wrenching.  I knew I’d see most of them again, true, but it didn’t lessen the blow. They were my family. Another memory involves a debate on the stage, which is easily my favorite moment ever in the entire run of Wordsmiths, and the next post in line. So, stick that in your pocket for now. The event that night, however, marked something special for me. It marked the launch of Anointed.

Best pile of books ever.

Best pile of books ever.

For the first time, with more than 100 people in attendance–friends, family, and some devoted customers as well–I read published work of mine in public. It served as a nice transition into my post-bookstore life. Closing the doors while opening a new set. Despite what I knew was to come less than a week later, the building was filled with laughter, smiles, cheerful conversation, hope. I couldn’t have scripted a better end. I closed out the brief but notable tenure of the Wordsmiths stage, overextending my reading like an uncomfortable goodbye, signing books, offering the store banner for everyone to sign, and somehow being far too busy to eat some of the best cookies ever made (which were made by The Moss, who found herself in my life almost two years later, cookie recipe along with, so I win). If the best thing to come of opening Wordsmiths was that night, then all the stress was worth it. Granted, it wasn’t the best thing, but it surely hit the top (insert arbitrary number not to exceed five here).

Anointed isn’t the best thing I’ll ever write, but it’s entertaining, was well reviewed, and had strangers tweeting and writing about their enjoyment in it. Likewise, Wordsmiths Books isn’t the best thing I’ll ever do in my life, but it had an impact, was well received, and created a family full of generous memories I’ll treasure forever. Though I’m ready to let go of the pain, I’ll never let go of those memories, of my people, or of the smile I get every time I see the logo.

Wordsmiths Logo

You Can’t Buy a Car With Cookies

There’s a line in Edward Scissorhands that a friend of mine and I recycle ad naseum. I tried to find a clip, to offer some sense of context, but, alas, ear wax.

It appears this is movie/book line today. I believe there is a limit of two. Moving on.

If you’ve seen the movie, maybe you remember it. If you haven’t, make a date of it. One of the best movies ever. EVER. Pompous Ass Boyfriend Anthony Michael Hall is sitting with Demure Confused Girlfriend Winona Ryder at her family’s dinner table, as her Beligerent Opinionated Father rants about responsibility. He says something, Winona groans or whines. He rants some more, points a finger at AMH, and this happens:

“You can’t buy a car with cookies, can you, Jim?”

“No, sir. You sure can’t.”

So maybe it doesn’t work as well here. That’s why I wanted the clip. I also want financial freedom. And some cookies.

Anyway, the point here is that you need certain things in order to accomodate certain other things, and cookies are not always the answer, no matter how many yummy extras you jam inside them.

Likewise, if you wish to open a bookstore, you need employees who will make it soar. I’ve worked for people who felt any body tossed into the fray will do the trick, but the book game is slightly more targeted than, say, a grocery store or fancy sign twirler dude on a street corner. Bookstores need a knowledgeable staff. Friendly would be nice, approachable even, but neither is necessary. I think most people would agree to being less than shocked if they approached a bookseller, asked for help, with said bookseller then hustling off, face red, to disappear behind a curtain. Book people are generally introverted. It’s why they don’t sell cars. Or go to That Kind of Party.

When I opened Wordsmiths, I didn’t want bodies to fill time slots. I wanted a family. I wanted people I could count on. I wanted to know my customers would always find a voice to guide them through the overwheming cacophany of screaming titles (That’s right. I said titles scream. What are you going to do about it, huh?). It’s one thing to recommend a title that’s been selling. It’s another to passionately sell an author to a new reader. Sure. it’s important to say hello, and have a nice day, and how are you, and why is this phone still ringing; but what truly matters is everything that comes between. It’s the conversation about books that create loyal customers, that make your store worth remembering. I wanted people with great humor, snark, insight and depth to their personality.

I wound up with this:

I did not hire the woman in the black dress, but that would have been kinda awesome, right?

I did not hire the woman in the black dress, but that would have been kinda awesome, right?

There were a few faces that didn’t make this shot, either by virtue of working a day a week, or by not yet arriving, or having not voluteered to work on a night that AMY FREAKIN’ SEDARIS WAS IN THE STORE, but I will always see this as the core of the Wordsmiths clan. Each one brought something valuable to the store. Each one had their place. And I remain in contact with every single one (except for a notable exception that will forever just be referred to as The Woman) to one degree or another.

A bookstore needs its family.

I definitely found mine.

The Little Bookstore That Couldn’t

The great thing about having a blog is I can damn well write whatever I want, and you can’t stop me. It’s glorious. If I want to talk about the redemptive quality of reanimated sidewalk-fried worms, I can. It won’t be interesting, but there you have it. I could talk endlessly about all the stupid things I’ve done in my life–and let it be known that I will–and all you can do is groan and tune it out, maybe grumble aloud about how annoying I am. But it will still exist. I can tell you that my dog is stretched over the edge of the couch right now, pining for the Moss to come home, looking like every ounce of hope has drained from her furry little frame, and no matter how that makes you feel, it’s written, done, the webbernuts will keep it forever. You can’t stop me.

And so, I get to do this:

On March 1st, 2009, Wordsmiths Books closed its doors, bringing to an end its short run, leaving behind but memories and a good bit of favorable view. Five years. It’s difficult to believe it’s been that long. Each year I’ve spent a little time on that anniversary offering thoughts, pictures, memories of the little bookstore that couldn’t. I’ve done this because I needed to. I’ve done this because, like a lost loved one, I wasn’t ready to let go. However, time has a way of mending the wound, leaving but scars as gentle reminders of what once was. And we move on.

I’m ready to move on. I’m ready to let go of all the things I might have been able to do to prevent that store from closing. From watching my bookstore family splinter and move on (with one notable exception). From haunting my dreams, nudging my guilt over those who lost money in the process, from tapping that nail ever so slightly into my heart day after day after day. Much like any endeavor in life, there is enough regret to fill a canyon. But that doesn’t change the outcome.

Which brings me to the purpose of this entry. I’m a couple days late on starting, due in part to the final grip of reluctance holding me back, so I’ll make up for it over the next couple days. What I’m going to do is post a picture, with a quick thought or two of the moment, each day until March 1st. I’m culling through the mountain of images that remain, and I apologize to any of you who may not want to be included in an image, or may not consider it the best you’ve had. These images are special to me, and, to that end, I’m not hunting for perfection. Only painful emotions attached to those memories that I can finally put to rest.

If you visited Wordsmiths, then thank you. If you did not, I’m sorry I couldn’t keep it around long enough. To those who wish, I invite you to leave your thoughts, here, on Facebook, or even Twitter (or all). I’d love to hear it.

This is me letting go, in the only way I know how to do it.

The first image is as first image as a first image can get, and requires the simplest of explanations. On June 15th, 2007, Wordsmiths Books opened its doors for the first time. I remember that day well, and I remember this moment like it just happened. I had a lot of hope then. I believed in the idea, and I believed in my staff. I had maneuvered through a great deal of political whooseywhatsit just to get to this point. Regardless of what I might have done different, it is, as my father would call it, a watermark day.

June 14th, 2007, I opened the door to the public for the first time.

June 15th, 2007, I opened the door to the public for the first time.

Adventures Are Not Always Better Than Tacos

It’s been suggested I write about my 7-hour adventure traveling 12 miles from work to home in Atlanta’s Horror Snow. But what can I say that hasn’t already been said? For that matter, what can I say that I haven’t already? I’d offer my sanity was saved by the existence of Facebook, and my insistence on keeping a phone charger in the car, but those who know me might dispute I had any sanity left to begin with. Also, when I find myself saying “I was only in the car for seven hours,” I do so as a comparable to the experience of others, and it begins to feel more like I experienced a mild inconvenience on the way back from the store. People ran out of gas, were trapped in their cars for up to 20 hours. Kids on buses, the elderly in parking lots and on the shoulder, freezing, hungry, scared. Some slept in stores, or at strangers’ houses. Me? Well, I had a 24 pack of water in my backseat I happened to buy that morning, had fueled up the day before, eaten before leaving work. All things considered, I was fine. Frustrated, sure, but fine. I knew I would get home. There was no danger of reckless driving; I used second gear for all of five seconds on my 7 mile trek around I-285. Hard to get into a serious accident at 1 MPH.

You can never have too many plus sides.

You can never have too many plus sides.

By comparison, I had it easy. Worst thing, aside from general discomfort, I had to deal with was an increasingly full bladder. It was suggested I make use of the water bottles available, but first off it seemed a horrifying thought to dump out water when so many people could have used it, and secondly I kept having visions of Lloyd Christmas peeing into beer bottles.

The mechanics of that still confuse me.

What reason had I to complain? I not only had supplies and phone power, I had polar bears to lead me home.

They will lead you home. Or to Svalbard. Either way, follow.

They will lead you home. Or to Svalbard. Either way, follow.

I had entertainment, and a demanding cousin who wouldn’t give me a biscuit:

It's Snow RapSnow More

BISCUIT ME

Sure, I spent the last three hours inching the quarter of a mile to the sign marking my exit ramp, idling for 20 minutes at a time, crawling toward the light like that creepy no-lower-half zombie chick from the first episode of the Walking Dead, but I knew I was close enough to walk if I had to. I knew that once I hit the road, there would be no one in the mall parking lot, and my last mile would be incident free. I knew I had a warm home, food, much drink, a comfy bed, and loving Moss waiting for me with somewhat still warm Jambalaya just a mile and half away. I knew, unlike many of my friends still stuck miles from home, my It’s Snow Adventure Really time was nearly at an end.

If you don't know Jim, well, sucks for you.

If you don’t know Jim, well, sucks for you. Almost as much as misspelling grateful.

What I went through wasn’t horrible. Being born in a car on 285 is horrible (though being born and surviving is a definite plus). Being an elderly couple stranded in a car, unable to walk because the husband is wheelchair-bound is horrible. Being told your child is stranded on a bus on the side of the road, with no gas or heat or food, and being able to do nothing about it is horrible. I just had an experience. An inconvenience. It was nothing to whine about.

I saw enough from my city to be reminded why I call it home. As I posted yesterday:

Yesterday I saw enough kindness to alter the way I feel about Atlanta. People jumping out of cars to help others gas up, offering ice scrapers to those trying to get their cars moving, businesses opening their doors, strangers opening their homes. The city wasn’t prepared for this. But the people have responded. Well done, folks.

Atlanta: We've survived the Olympics, sorta survived the Zombie Apocalypse, and we'll survive this.

Atlanta: We survived the Olympics, sorta survived the Zombie Apocalypse, and we’ll survive this.

Tweeting the Quack

This is actually a post from the Southern Authors Blog, A Good Blog is Hard to Find, but I would be doing it a great disservice if I didn’t post it everywhere, so, here it is.  May your day be filled with the glory of my brilliance.

And stuff.

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This is a duck.  His name is Ducky Thomas.  He is a duck named Thomas.

He’s stuffed full of cute, loves adventures, and is quite convinced that the world is the most fantastic thing a duck could ever hope for.  He also loves the cat who loves him most.

This is a video about a bookstore.  It has nothing to do with ducks–not yet anyway I guess I must admit–but does indeed have a lot to do with the point.

They both have something in common.  They have nothing directly to do with the books I write, but have everything to do with me as a writer.  They are independent of what is published, but a vital cog in the publicity of who I am.  And they aren’t the end or the beginning.  They are the journey.

There.  I’ve waxed poetic.  Now I can get on with the point.

We all know about Twitter.  If you have the time and patience, you can gather a following, make a name for yourself, your opinions, and your work.  The same can be said for Facebook, albeit in a more centralized, and long-term kind of way.  You’re going to make your friends, have your followers, talk about anything from The Simpsons and their obvious lack of relevance to Obama and his quest for health care.  You’ll be “liked”, have the “@” symbol thrown your way, tagged, or even re-posted/re-tweeted.  People will laugh with you, at you, talk about why your opinion is pointless and not at all as potent as what they have to say, and send messages to one another about whatever it is you posted last.  Above all, they will know you as a writer, and understand you as a person in ways readers never could before, and they will look forward to what you have to post next.

But they are merely one step toward lifting you, as a writer, into the conversations of the world.

We live in a digital age.  One in which communication is almost entirely of the written word.  We view Twitter, Facebook, LinkedIn, Foursquare, Plancast, Tumbler, and so on as pure facets of publicity, meant to broaden our audience and stamp a nice, fancy, little brand upon our heads.  All of which is most certainly true.  But it’s not the mere existence of our digital selves on these sites that makes full embrace of what they offer us.  It’s what we write.  It’s how we use them.  It’s taking the blank slate and filling it with content that both evolves who we are as writers, and demonstrates fully what we can do with the words we are blessed with.  True, starting a blog and writing about anything–anything at all–is exactly the right approach.  But it isn’t the endpoint.

When I first started blogging, I didn’t intend on writing about the adventures of a stuffed duck, and I had no plans to begin at first a blog, and then a series of videos about life in a bookstore.  But the more I worked through my personal blog, the more I came to see each entry as a script of my life–pages of the mind fluttering from the inner sanctum of thought to the public forum offered to me.  Each entry was another showcase of what I could offer.  In a very real sense, each time I posted a blog, I was adding to my resume.  Obviously, it is every writer’s great hope that each book that is published will further enhance the aura and legacy of who they are (read in: you will become instantly uber-famous, and own two castles in a decade).  But it doesn’t have to end there any more.  In fact, the sheer number of books that are being published by extension of the popularity of a blog speak volumes to the time in which we live.  Used to be that you had to find a press to print your article, or a series of collected works in which to be included in order to broaden the scope of your work.  Now you have the internet, and whatever time you offer it.  Work it all in unison and not only do people start to pay attention–no matter how small your collective–but they start to anticipate what’s to come.  Then that audience can grow as people share what you have to offer–which is far less work than what you will put into creating it, given that the sharing aspect of it is usually accommodated by the gratifying click of a button.

It’s so very cliche, but the truth is, you never know who is watching, who is reading, who will share what you have to say, who is paying attention to as you scream from every corner of the internet you can crawl from, “HEY! PAY ATTENTION TO ME!”  So, go.  Do.  Find your inner duck.  And make every word count.  Your future readers will take note.