An Accidental Identity Crisis

Twenty-three seconds into the accident, the nascent writer Joshua Alexander jumped for joy. Concentrating on the significant damage to the bumper of my Explorer proved challenging amidst the ever-maddening screams of “THIS IS MY MOMENT! I HAVE ARRIVED!” The poor kid who pulverized his car with my bumper, some student from George Washington University home on break, apologized repeatedly for his lapse in attention; though to be fair, I’m still not sure if he directed it to me or to the crumpled remains of his car. I consoled him, insomuch as I was capable with all the celebratory screaming coming from Joshua. To his credit, the kid remained stoic, clearly at war with the beside-himself-father in his head, taking complete blame when the officer arrived, while I stood at the back of my vehicle analyzing the damage.

“This is great. Fantastic. The best thing that could have happened.”

I countered that, citing that car accidents are not great watermarks of joy for anyone. Not that Joshua cared.

“This will pay for the conference. You should thank that kid.”

I hadn’t considered that. Granted, my bumper looked a bit as if the horrors of life had consumed its soul, leaving its remains to melt into a perpetual frown.

“It’s just a bumper. What do you even need it for?”

As far as I could tell, the moment offered an example as to the primary reason bumpers existed. If I learned anything from Bumper Cars as a kid it was to never play Bumper Cars with my older brother. He had this fixation on ejecting me from my car, or better, the entire ring. Of course, he also had a fixation with swinging me in circles from an arm and leg until my glasses flew off and I started crying, so maybe the Bumper Cars weren’t the issue. In the moment, however, I found my first appreciation for the lessons those ricocheting cars offered.

Still, I had a hard time arguing the point. It was just a bumper. What’s a bumper in comparison to a week’s worth of writing education that would certainly land me a contract with a publisher? Three days later, when the Insurance adjuster handed me a check for $1,100, Joshua’s elation caught up to me. The internal war began. Bumper vs. bills vs. writing conference. Bumper lost in the opening round, if for no reason than it shut Joshua up for a while, and the worst it could do was follow me wherever I drove, its downward slope of sadness perhaps warding off any other unwanted visitors. Bills … those were a trickier obstacle. Apparently, those are supposed to be paid? That’s what I’ve heard. Somewhere.

I guess I should probably mention I had quit my job three months prior in order to write a book. That seems important, in context. Bills and all. Sudden money at hand and the like. A lack of employment certainly made income a pestering nuisance in relation to actually paying for things. You know, the important things like bills. Food. Collectible Star Wars figures. Even writing conferences. Especially those lasting a week long and costing a thousand dollars. An amount I happened to have in my bank thanks to a careless kid fiddling with his radio at forty miles-per-hour as his car rudely greeted the stopped Explorer in its path.

Maybe I shouldn’t have quit my job, I thought for the one-hundred and thirty-first day in a row. As decisions went to this point in life, it ranked up there with the best of Not Good. Sure, I finished a first draft of the book (two if you count the less than stellar 1st person draft I finished in 21 days), and by the time the conference rolled around two months later I would have a good edit complete. The timing fit. The conference–my first ever–would offer me a chance to pitch it to agents and New York Times bestselling author David L. Robbins, who would be the judge in a fiction contest. My book, Anointed: The Passion of Timmy Christ, CEO was good, by my estimates. Okay, so I thought it was perfect. Something to behold. To cherish. To love and to squeeze and to call George. Surely the agents would agree and the whole suffering for my art thing would be worth it, just as I had envisioned. That singular dream in which I quit my job, wrote a book, went to a conference and BLAMMO … agent. Agent would become Publishing Contract. Publishing Contract would equal Advance. Advance would balance out Voluntary Unemployment. Success would follow.

THIS IS MY MOMENT.

Did I have a choice? Sure. I had many. Many, many, many, many of which began the day before I quit my job. Did it feel like it? No. No, between Joshua’s screaming and my inability to see the world of possibility as more than a single light at the end of a short road, the Universe basically sat on my head, declared itself the Master of My Destiny and urged the chariot onward. All of this wouldn’t have happened otherwise, right? Everything happens for a reason, after all.

RIGHT YOU ARE UNIVERSE!

Fueled by the need to risk it all, to bypass sanity in favor of chance (LIVE NOW FOOL!), I registered for the conference and submitted the first fifty pages of my manuscript for the contest.

Sort of.

Technically, yes? Officially … not so much.

The thing is … the thing I should mention is how incredibly tired of me I had become. I saw myself every day. In the mirror, staring back for that brief flash before looking away, lest I thought myself some kind of creepy pervert offering longing glances from the other side of the glass. I talked to myself incessantly daily (yeah, yeah talked … that’s the ticket), whether I wanted to hear me or not. I cooked for myself, cleaned for myself, got sick of my needy self and needed a break.

So, I sent Joshua Alexander to the conference. I’m not sure if I thought he would generate better results, or if it would simply be nice to not be me for a week. Truthishly, I can’t really recall a specific thought of why I should do such a thing. Maybe I took a back seat to the process and Joshua jumped in. I don’t know. I just don’t know. I’m just weird like that, I suppose.

Regardless of reason–and likely absent it as well–I made my way to the conference full of cheer and lofty dreams, toting my completed manuscript in a wooden box as if it were the lost Ark of the Covenant. I checked in under my name since Joshua, for all of his robust enthusiasm, still lacked both an ID and a bank account, settled in and made off for the Opening Remarks with another hundred plus writers. All of whom were likely themselves because they were smart that way. I sat next to a behemoth of a figure–a tall, muscular man stretched out across two chairs. As I have established, socializing is not my strong point. Joshua, on the other hand, seemed to have no issue with the complexity of Hello and jumped right in.

“Hi. Joshua Alexander.”

Good for you, Josh. Well done.

The man shifted, shook my hand, introduced himself as David L. Robbins and immediately launched into praise for my submission, about how he had planned on finding me to discuss it, and stating his wonder at the luck we would sit next to each other.

It’s possible, at this point, I considered dropping the Joshua persona to ensure Mr. David L. Robbins, New York Times bestselling author, knew who I really was. I offer the possibility of such a though only because I don’t particularly recall if I though much of anything at all. Not with Joshua in charge.

THIS IS MY MOMENT.

So, I let him run with it. Let him talk throughout the Welcome, carrying the conversation onward into my work, its strengths and weakness, the nuances of the craft of writing, echoing David’s belief that conferences were vital to the growth of a writer, and I don’t know, tacos or something. It went on for hours. The next day David even invited me to go watch him golf in between sessions. I became the envy of the entire conference, buddied up to David like a excitable, loyal, puppy. Everyone knew my name, curious about what I wrote, how I had managed to so quickly win the favor of such a notable author.

They were the best two days of Joshua Alexander’s life.

They were, in fact, the only two days of Joshua Alexander’s life.

On day three, David woke up and decided to invite good ole chum Joshua to breakfast. Strange thing though. The front desk had no room for a Joshua Alexander. David insisted they were wrong. Had them check and check again, taking potential misspellings into account. Nope. No Joshua. Confused and slightly embarrassed, David fell into full research mode, following the trail of Joshua Alexander to one Zachary Steele, in room whateverever. He called me. He grilled me. Questioned what reason a man with my name would possibly have to go under any other name, then laughed at me. For the rest of the week. As he told each and every person about the ludicrous tale of Zachary “Joshua Alexander” Steele. For the next few months, as we kept lines of communication open. For the next few years as our friendship grew, as he became a mentor to me as a writer. To this day, some sixteen years later, as the memory pops up and he needs a good laugh at my expense. His last words on this planet to me may very well be, “Tell Joshua I said hi.”

I will always accept life as a never-ending ride of Cause and Effect. For instance, I make really odd decisions, the effect of which tends to rail off into the deep recess of Shitsville. I get to relive them, marvel over them, and perhaps even grow from them, but damn. Just damn.

Every once in a while, despite myself, I get to follow a train of Cause and Effect that isn’t all bad in the end.

I quit my job to write a book, with the express purpose of getting said book published, thereby jump starting my career and minimizing the damage caused by Voluntary Unemployment. In order to facilitate this, I decided I should go to a conference to get noticed. Unable to afford said conference due to having no job, I made use of accidental money to fund my way. I changed my name for no reason, met the author I wanted to meet, made a sizable impression both due to my work and the fundamental identity crisis masquerading as me, and made a friend of David L. Robbins. David created James River Writers in Richmond, Virginia, invited me behind the scenes, to their conference, gave me time with other notable authors (um, hi there Tom Robbins) and awesome people, and taught me the craft. All of which made me a better writer. Fueled by the need for more, the hunger to be better in all aspects of life, I made other questionable decisions, one of which netted me a bookstore I called Wordsmiths Books. During my tenure as owner of Wordsmiths, I met a publisher interested in Anointed. She published it. Publisher’s Weekly gave it a good review. My career as a writer found first gear.

THIS IS MY MO … oh, wait. No.

SEVEN YEARS FROM … is that right? Seven years? Sevenish years, you say? Right.

SEVEN PLUS YEARS FROM NOW WILL BE MY MOMENT.

Sometimes the wrong way can be right. Just, like, way longer.

The Historically Bothersome Butterfly

I don’t remember when it was, but whenever it was, I watched the movie Seeking a Friend for the End of the World. The Moss was there. Must have been last year. Anyway, the movie begins with the lowdown on the crisis: A meteor is on a collision course with Earth, and this time Bruce Willis couldn’t save us. Or at least I like to imagine it was Bruce Willis. The film didn’t specify. So, the meteor is coming, and we’re doomed. Nothing can be done. There are no superheroes coming to the rescue, no amount of scientific trickery to call upon, or no word from God to pacify the internal need to know that humanity must live on. Just The End.

To my great surprise, I found myself overwhelmed by a feeling of peace. Of happiness. Of relief that, just like that, life could end. No more struggle, no more anxiety, no more stress, no more self-doubt. I could take hold of the trusty eraser and wipe the Board of Life clean.

I think, somewhere in there, the shock overtook me. I mean, obviously, this wasn’t really happening. I knew that. But I had never before had such an overwhelming joy at the thought of it all being over. To know that I could finally put down my weapons, my gear, dust myself off and breathe a hearty sigh of relief. It stunned me. I’m not sure I can recall the first thirty minutes of the movie. Then again, I’m not sure I can bring myself to watch it once more to find out. I don’t want to feel what I felt again because I liked it so much.

Allow an injection here, if you will. I’m not suicidal. Though I’ve contemplated the end many times in my life–several since that moment watching the movie in fact–I have no desire to end my life. It’s not a choice I could make, or one I am willing to make. Much like murder, I suppose. I trap insects and set them free for a reason. I say this only because I don’t want the thought or fear for my well-being to intervene in what may or may not be a casual read. I’ll die when I die. Not a day earlier. I’m fine with this. I do actually enjoy living, after all.

I spent a great deal of time internalizing that moment, trying to determine what it meant. All I can deduce is it meant I’m not at all happy with my life, or my place in it. Maybe that’s a stretch. Maybe it’s dead-on. I don’t know. However, it led me to a simple question I can’t shake. Where did it all go wrong?

I can remember a great deal from my childhood. More vividly than is ultimately helpful, it would seem. I remember this kid:

The Sonny's BBQ Padres, age 12.

The Sonny’s BBQ Padres, age 12.

I remember walking to my games. I remember playing them. I remember moments in the field, pitches I saw, the final scores. The first season I played, I fouled off exactly one pitch. One. I swung and missed at everything else. By age 12, I was clinking balls all over the field, one of the best bats on the team. Something happened between age 10 and 12 that changed everything I was as a baseball player. I think it was me. I happened. I practiced, I played all year with my cousin, I watched the Braves on TBS every day. And it clicked. I made a conscious decision to be better, and I became so. And as the years passed, I got even better. I probably could have kept going, made something of it, but in tenth grade I grew eight inches, turning me into a gangly all arms-and-legs buffoon with the coordination of butter. My skill set suffered and I quit. I could have taken the coach’s advice, worked out to get my body back in line with my growth, and likely found myself right back where I was. But I didn’t. And I’ll be damned if I can remember why. Or how I did it without feeling loss, or pain, or regret. I could have simply walked into another room for all the difference I felt.

It could very well be that writing finally found a grip where it couldn’t before, my focus on becoming a writer of substance narrowing my vision enough to allow the loss of a true passion. Yet, instead of seeing the more traditional path of the writer–in the modern sense that is–and furthering my education, building credentials through said schooling or articles or what have you’s, I chose to bypass college and travel. To see more of America than I had seen. To pour my soul into writing without the interference of an instructor’s voice. And, honestly, because I hated school. I didn’t want to endure any more years of study. Not institutional study any way. I wanted to learn. I just wanted to do it on my own terms. I made this choice without any hesitation or doubt. Into another room I went.

I met a girl when I was twenty-four. Exactly twenty-four, as it happened. At the time I was steeped in church, looking for answers to life’s myriad questions. She had just moved into town. We sat next to each other. We laughed. Emboldened by my favorite celebratory day of the year, I was exceptionally charming. So much so that, though she was away the remainder of the summer, I left a favorable impression she couldn’t shake. Several months later she surprised me at work with an invitation to her birthday party. Well, not a party so much as a dinner celebrating such in which her mother played a prominent eye-cutting presence. A few months passed and a romance blossomed. A proposal happened. A year and half later, I had a house, a wife, two dogs, a cat, and the distinct feeling that everything in my life was coming into focus. Then something happened. I think, looking back, it was me that happened. She had health concerns, sure, and they taxed me physically and emotionally (not to diminish her own suffering), and brought stress into our marriage, but it wasn’t really the cause. Religion became an issue, as I had begun to question my devotion to the church life, and to Christianity. This was a problem, but as the judge in divorce court would later say, plenty of couples of diverse faith co-exist. It could have been surmountable, I suppose. There were arguments about where things were going. Attempts to rectify what had been lost. But I admit to being horrible at articulating what bothers me at any given moment and loathe to cite minor problems when they happen in exchange for accumulating them and dropping them all at once in a twisted jumble of “what?” Which never goes over well. Then one day I just decided I was done. Just like that, it was over. I gathered what belongings I could carry and left the state. My home, my marriage, my life in that backwards, sleepy, little town, gone. Poof. And when the divorce was done, my move final, and my hands washed clean? Yeah, I just let it go. Moved on. Didn’t give one thought as to whether or not I made the right choice. Yet another room.

You know what? This happened AGAIN.

The factors were different, and the pressures of life much greater, but almost ten years from the time I met wife #1, I met wife #2. As before, there was a very brief courtship. Three months to be exact. And we were married. I can’t front the blame alone, ultimately, for the failure of this one, but end it did, and when it was over I was glad for it. I moved on. This happened near the time I lost my business. I’ve detailed it before, and there’s really no point in doing so again; but there’s definitely a parallel. I never considered the full spectrum of owning a business and what it took to run one. I just did it. And I’ll be damned if I didn’t take people down with me. Which is, perhaps, one room I didn’t blithely pass into. I don’t like bringing people pain or suffering. I don’t even like upsetting them. I just seem to somehow. By way of decision or circumstance, I have left a nice little row of destruction along the way. People I still love and care for, and I can do nothing to correct this wrong. I can do nothing to alter the choices I made.

These are mere examples, mind you. I have many more. Places in my life where I made decisions that now confound me, and leave me wondering what would have happened if I chose otherwise. I’m sure I’m not alone in this phenomena, but I only have my eyes to weigh them against. Only have my expectations. My dreams.

From that fateful day I left baseball forever, I’ve wanted to be a writer. No, a published author. No, a successfully published author. I do have two books published, which is nice. Good books. Not great, but good. Entertaining and fun. They were received well, which is something. I have a great children’s story I haven’t found a home for, and a few other stories I’m working on I believe could also be great. I’ve worked hard to become what I am as a writer. Same as I did as that kid who couldn’t hit. But there have been no breakthroughs. No a-ha moments of career-altering discovery. Instead, I place myself in the company, by work or network, with writers who have achieved my dream on their behalf. It’s infuriating. And depressing.

It may occur to you that there is no exact cohesion here. You would be correct. I’m just taking out garbage I’ve had a touch too long and hoping not to hit you over the head with the bag.

I used to be more active on Facebook and Twitter, but I’ve backed off because I don’t want to let everyone know how terribly unhappy I am with my life. I have the Moss, and she’s well worth bragging about (and an incredibly talented photographer at that), but what do I have otherwise? Just struggle and frustration, disappointment and despair. One bad decision after another, with a few good ones sprinkles in for taste. I’m not where I want to be in life, so I don’t talk about it because I don’t want everyone else to know I’m not where I want to be. I want to see the light, to feel the hope, to know that everything I’ve been through–whether by my own hand or not–will be worth it. My break is just ahead. My time.

But it hasn’t happened. Maybe that’s why I felt the way I did watching that movie. I’m tired. Losing hope. Losing faith that all the decisions I have made were made with a singular purpose in fate. And so I spend far too much time analyzing a life’s worth of decisions, wondering which of them would unravel the tapestry too much, which would incite the butterfly to flap a typhoon into my future. Then again, I can’t evade the sensation there’s a typhoon here already. What that I have would I be willing to lose in order to gain what I want but can’t seem to receive?

It’s a fruitless quest, searching for an answer like that. Regret is a pain in the ass. It will always be a pain in the ass. I remain steadfast that life has a purpose. Nothing is random. I lost a bookstore but gained a publisher and the Moss because of it. I haven’t rejoined the published world, but I’ve written in that time and improved dramatically. I don’t have what I want now, but maybe I need to have nothing in order to fully appreciate what I will have later.

I’ve never been one to prattle about me. I don’t spell out my woes to anyone other than family, or the Moss. I don’t pretend my life is great, but I don’t allow for sharing that it is not. I like to laugh. I just find it hard to do that these days.

I can’t deny that news reports of a meteor bringing about an Extinction Level Event would pacify me greatly. Not because I want all of you to die, but because knowing the end is at hand would allow me to once and for all let go of every disappointing decision I’ve ever made. Then again, maybe I can just whip out the scissors and cut loose all the rattling cans I drag behind me. More decisions.

Of course I’ll accept good news, in any form instead.

That would help.

Charles in Charge and Writing Do Not Mix

Sometimes I’ll do anything I can to avoid writing. I’ll run from the computer like it’s a Charles in Charge reunion special. Reading, destroying brain cells on Facebook, over-managing my fantasy baseball teams, catching up on baseball news I already knew, Words With Friends, walks, shopping, driving, sitting on the patio like a grown man in time-out, harassing the cat … name it. It runs contrary to the idea writing is my passion, my life, I know, but I do it regardless. Not because I’m afraid to write. Rather, because I’m afraid to write badly.

On the surface it’s an absurd statement. It reeks of a failure in confidence. If you’re afraid to write, avoiding it for any reason, then perhaps writing isn’t for you, right? However, I don’t lack confidence in my writing. Though I’m no savant and have a great deal yet to learn, I’ve worked hard on my craft. Besides, Publisher’s Weekly thought well of me. Shouldn’t I? My issue, though, isn’t with my talent, or my ability to weave a compelling tale, or whether or not what I’m about to type will be pure crap. The ‘delete’ key takes care of that. If not, editing exists for a reason. What I’m afraid of is producing work that floats off into the ether like space debris: forgotten and forever to orbit in the dark vacuum of nothingness. Perhaps that means it was bad, perhaps it doesn’t. Sometimes you can feel so damned positive you’ve written something great–or at the least good–only to watch it wander into an uncaring world that as much notices it as avoids it altogether.

Maybe that doesn’t qualify it as bad, exactly, but as a writer it becomes difficult to separate good from bad when feedback is non-existent.  Sure, you get some words of encouragement from those who know you, or from other writers, or beta-readers, or even your Publisher/Editor/Agent. They like it. They praise you in widely generic ways. They might even specifically site an instance in your work they particularly liked. Which makes you smile. It makes you proud. It gives you that momentary feeling of heroic wonder. Then it becomes print, you talk about it through various social media portals, maybe you have some events, and you wait for the accolades and reader reviews. And wait. And wait. Ultimately, the silence invades your mind, leaving a gap in your defenses wide enough for an F5 tornado of doubt to plow a destructive path through your pristine landscape of ignorant bliss.

No matter how much you talk it up, nobody’s talking back. Your book sucks. It must. It has to. You re-read it. It doesn’t feel as sublime as the last time you looked it through. Are you no longer blind to the truth, or have you allowed silence and doubt to insert their impression in your head? What does that mean for your current manuscript? Should you suspend writing in order to review what you’ve written? Will this unedited piece of unfinished potential crap offer you insight as to why your recent work is failing? Or are you over-thinking it? Of course, you can go to your Publisher/Editor/Agent for advice, but they’ll tell you to cool your jets, this kind of thing happens all the time. But no, you think, this is happening to me. It wasn’t supposed to. My book was good.

Or was it?

It’s troubling to think all this can cross through the mind in a fraction of a second. Even more troubling, however, is the anticipation it can and might likely happen to your work-in-progress–before you’ve even finished it. You have constructed a fully viable, fully entrenched, vision of your manuscript’s future while it still doesn’t even know how it will end. The characters are gathering for an intervention and you’re in the corner wallowing about how nobody will ever care about anything you write. Ever. I suppose if I were a parent, I might better understand this, or how to cope with it. My cat doesn’t inspire worry. Her naps will always be quality naps.

So, I’ll stare at the computer screen, eyeing the open Internet tabs, finger ready to open Scrivener. I might read what I have to that point, if I haven’t wandered off already. Maybe pack the laptop and head out for coffee, read it there. Maybe take a drive to hunt for inspiration. It doesn’t happen all the time, and generally by the time I’ve begun typing, my fears have waned. My characters are at the forefront. I’m a God, moving pieces, orchestrating fates, divining obstacles. All is good. My work is good. My story is good. My book, so far, is good.

I’m a writer. I don’t write simply because I can. I write to entertain, to bring something to someone’s life they will enjoy and share. It’s narcissistic, cathartic, inspiring, and humbling. I like to imagine a God, creating a Universe, filling worlds with living creatures, molding paths, futures, destinies, holding arms to Heavens when the job is done, with a notable “Huh? Awesome, right?” expression. That God would be bummed if even the crickets went silent. I guess it’s okay for me to be as well.

I just need to keep writing.

Maybe a drive first, though.

The Peaceful Madness

A writer breeds madness.

Truthfully, this could be said of any artist. Any Creator. We are gods, after all, desperate to create worlds in which we’d much rather be, sculpting rules and destinies from the jagged peaks of our imagination, reforming the memories of our past and the hopes of our future into triumphant tales of heroic adventure. We write the code for the program, doing so with a reckless arrogance, ignoring reality in favor of the most favorable path to redemption. Not simply for our heroes, but for ourselves. And when we step away from our narcissistic free-for-all, we find bills, hunger, war, political mudslinging, and for many–loneliness beyond repair.

Something happens in the process that alters us forever. We begin to long for the worlds we created.  We begin to hunger to complete the stories, to enhance the landscapes, to better realize this fantastic scope through which we peer. Reality becomes less real. Fantasy more believable. Either word seems insufficient and life gets twisted somewhere in between. We find more time to stare through windows on scenes so far removed we appear to be catatonic, or angry, or one Sugar Snap away from inviting Dig ’em for a lengthy stay.

Our worlds live and breathe in our minds, taking on a life of their own; and though we see the world as perfect, the characters as family, we find the words lacking. Not simply because we doubt their ability to convey, or because they are insufficient or weak, but because they don’t breech the boundaries of space and time. They don’t open a portal to our worlds. They don’t allow us to escape. So we keep writing, we keep creating, we keep building, hoping to find something of our fantasy within the reality we are trapped.

We never do. Yet, the desperation is a madness we crave, the only place in which we truly find peace.

There are times I find this idea unsettling, depressing, an incurable infectious disease in which small pieces of my brain melt helplessly away by the day. Then I find things like this in my work:

“It is apparent to me now there is less between imagination and reality than I dared dream. I wonder at times if closing my eyes will be the end of me, or if I can never truly begin until the world fades to black. Therein lies the deceit of lightness and dark: They serve your need, or leave you mired in blindness, unable to distinguish truth from lie.”

And I realize my madness can manifest in beautiful ways. My characters can trumpet my words in ways I will never be able. My stories can bring civility to the war between the lightness and dark; and though I may never step foot in the worlds I create, I can give them life, hope, and a path to fulfillment. I can give them–with due struggle and pain–all that I want for myself. I will give them a life that pushes what they can handle, but allows them a heroic end. A Happily Ever After. I know their path through and through. I don’t know mine.

I can only hope, when my final second ticks and the clock draws into silence, I have left words that resonate. Words that, beyond belief, beyond the bounds of reality, have given life to worlds that will always be visited by eager minds. Perhaps then I will truly know peace.

So I write and I dream, and I hope that somewhere, in some world, there is someone writing my story, smiling at my ways, counting the days until I can be the hero I was created to be.

Russ Eat Meat

This whole Talking About Wordsmiths thing is at a merciful end. Its intended purpose–to purge the final glistening dew drop from the leaf of my life (whatever that means)–has been fulfilled, as I find myself lacking the desire to post anything further. I’ll drop some pictures with brief captions tomorrow, in an effort to blast the final tidbits of favorable memory into the ether, and to honor those who meant more to my efforts than they might realize, but I think this will be it.

I can think of no better way to finish it.

I previously detailed the launch night of Anointed as one of my favorite nights. Though I must admit to the self-centered affixation to that’s night’s purpose, I can’t deny the book launch portion was but a reason why it was my favorite night. You see, Wordsmiths Books became the ring for a rather entertaining (and, admittedly, one-sided) tug of war. One that carried on like a fifty round bout, no ref in sight to stop the continual beatdown suffered by one of the contestants. Or better, it was like watching a train wreck, plane crash, and hundred-car pile-up, all rolled into one, unable to turn away, unwilling to ask why it must go on in perpetuity. It was mesmerizing.

Enter the ring, one Joe Davich. Undefeated. Unbeaten. Indestructable.

The Undisputed Featherweight Champion of the Verbal Smackdown

The Undisputed Featherweight Champion of the Verbal Smackdown.

His opponent, his defensive retorts weighing in at an unprecedented, and immeasurable, Zero G, Russ Marshalek.

Um...

Um…

Every war has an end. Every skirmish a victor. Every moment, a future defined. On February 22nd, 2009, the verbal spat that was Davich v. Marshalek came to a climactic conclusion, on the stage of Wordsmiths Books, before a captivated audience of 150. It will forever be known (by at least one local, who flings it with regularity every time he sees me) as the day the world paused in reflection, uttering the words “Russ Eat Meat” with nary a clue as to what they meant.

Setting the ground rules only encouraged the wine, and the whine.

Setting the ground rules only encouraged the wine, and the whine.

Content is unecessary. In fact, ask me to recount the round by round commentary, and I’ll stare at you blankly for a time, finally bringing myself to say only, “Joe won,” with a notable shiver. I don’t remember the punches. I only remember the result.

I can offer for certainty that Russ fought with great resolve, challenging his opponent with cited passages in defense of … well, no idea really. In defense of something.

The Defense

Joe responded, as only Joe can.

"Dear God, Mother Mary and Madonna" was uttered a few dozen times.

“Dear God, Mother Mary and Madonna” was uttered a few dozen times.

His counter left Russ reeling, coiling into a bottle like an infant to the teet.

At some point, you just have to forgo the glass.

At some point, you just have to forgo the glass.

Posters were brandished, slogans were uttered, Marisha Pessl was slandered, people laughed, people cried (out loud as part of laughter perhaps, but still), I was amused, the wine vanished. In the end, the champion stood, proud and victorious, stepping from the stage with a haughty grin, parting the crowd like Queen Elizabeth (for a more detailed description of anything Queen Elizabeth ever did, please see Sir Davich), off to celebrate his long-sought dominion over the defeated Wonderboy.

If not smug if you're Joe.

It’s not smug if you’re Joe. Neither is it ever misspelled.

It was a great night. A fitting end to a store that was about more than just selling books. It was a sitcom without cameras, a novel without a writer, an entertaining home without a pug. It took a great deal to organize (actually it just took a customer telling the two of them to put up their Hello Kitty purses and hash it out on stage, which was a glorious moment for all), a tremendous amount of wine, and a propoganda war unlike any ever seen, but it happened nonetheless.

Wordsmiths Books: Wage your verbal war on our stage. Please. We’re bored.

How to Count to Five in Eight Easy Numbers

A couple of things up front. First, my “every day with a blog about Wordsmiths” thing didn’t work. I blame the snow. And the logjam of work it piled up in the process. And my need to do actual writing that benefits my future. And side projects I don’t talk about that take up more of my personal time. And Bush. Secondly, I find my titles in the bottom of coffee cups, so don’t blame me if they fail to convert into meaning of any sort, or link to the post I ultimately write.

Nothing is my fault. I am the fault of nothing. The Nothing. Oh, that was a good movie. Like.

There aren’t many days left to February, which means I have only a few more opportunities to write about my wayward bookstore before it’s five-year-closing anniversary sweeps on by. So, some of what I might have written about (which perhaps might not have been that interesting anyway) gets canned like Armageddon Tuna. I don’t know what Armageddon Tuna is, so don’t ask, but I’m sure it makes sense somewhere to someone. Hopefully, they have a can opener. The rest of the process of opening and closing a bookstore is really just a matter of money anyway. Or, lack thereof. Having cited how the store got behind at the outset, I don’t think there’s much mystery left. Quite a lot less than, say, how I can write a heartfelt post about Wonderboy, and not hear a peep from him about it. That’s quite mysterious to me.

Take away the stress-laden nausea-inducing daily grind of owning Wordsmiths Books, and what I’m left to talk about are a few standout moments, and a few exceptional people. Maybe I’ll find the time to go one more post deep about the inner mechanics. Maybe not. Maybe I’ll drink more coffee and see if my dog’s empathetic beacon fries. Beacon fries? Bacon fries. Whoa. Want.

Bacon. The momentum killer.

Where was I?

Um.

Dunno. My brain just completely stopped.

Well, regardless, I know what I had planned on writing about, so let’s a get a move on.

In addition to the forthcoming Closing-Date anniversary, there’s a far more pleasant anniversary to celebrate. Five years ago tonight, Wordsmiths Books held its final event. There are a great many things about that night I will always remember, but saying farewell to my employees as they passed through the door a final time (I was to work the last week alone…it just seemed appropriate, and a bit necessary to be honest) was heart wrenching.  I knew I’d see most of them again, true, but it didn’t lessen the blow. They were my family. Another memory involves a debate on the stage, which is easily my favorite moment ever in the entire run of Wordsmiths, and the next post in line. So, stick that in your pocket for now. The event that night, however, marked something special for me. It marked the launch of Anointed.

Best pile of books ever.

Best pile of books ever.

For the first time, with more than 100 people in attendance–friends, family, and some devoted customers as well–I read published work of mine in public. It served as a nice transition into my post-bookstore life. Closing the doors while opening a new set. Despite what I knew was to come less than a week later, the building was filled with laughter, smiles, cheerful conversation, hope. I couldn’t have scripted a better end. I closed out the brief but notable tenure of the Wordsmiths stage, overextending my reading like an uncomfortable goodbye, signing books, offering the store banner for everyone to sign, and somehow being far too busy to eat some of the best cookies ever made (which were made by The Moss, who found herself in my life almost two years later, cookie recipe along with, so I win). If the best thing to come of opening Wordsmiths was that night, then all the stress was worth it. Granted, it wasn’t the best thing, but it surely hit the top (insert arbitrary number not to exceed five here).

Anointed isn’t the best thing I’ll ever write, but it’s entertaining, was well reviewed, and had strangers tweeting and writing about their enjoyment in it. Likewise, Wordsmiths Books isn’t the best thing I’ll ever do in my life, but it had an impact, was well received, and created a family full of generous memories I’ll treasure forever. Though I’m ready to let go of the pain, I’ll never let go of those memories, of my people, or of the smile I get every time I see the logo.

Wordsmiths Logo

My God, I Believe

The God I believe in laughs. A lot.

He’s a 12-year old boy contemplating the universe as he stares into a bowl of Lucky Charms. Tell him a joke after a spoonful and milk shoots from his nose, the debris of marshmallows departed coating the table in a fine spray.  He gets bored at times with the reality TV program that is Humanity, and wanders outside to fly a kite, or chase squirrels, or simply stare at clouds as he delves into blatant forgetfulness. He jumps on soda cans he filled with water just because, uses extra ketchup on everything, is the one that put the firecrackers in your mailbox, believes a dessert can only truly be appreciated when eaten first, never turns down a cartoon, sings songs despite the fact he doesn’t know the words and can’t carry a tune, is impressed by everything, and finds the idea of cleanliness much better next to him than on him.

He’s the first to point out a hilarious sign, the one giggling during a call for silence, and the last to go to bed because he can’t stop reading.  He loves to finger paint, gets Play-Doh everywhere, runs into walls, trips over toys, chews with his mouth open, stares sullenly out the window when it rains, isn’t to be trusted around a garden hose and an ant hill, and always sings the alphabet to remember the V does, in fact, come before the W.

Without him there would be no roller coaster. Knock-Knock jokes would not exist. People would fart and nobody would care. Everybody would not poop. There would be no snickers when someone proclaimed “it was their duty.” Nobody would count the stars.

This is the God I believe in.  He doesn’t want me to be religious. He wants me to be silly. To laugh along. To enjoy my life. And though I struggle mightily with the latter, I feel I do pretty good with the first two. And I think he’s okay with that, even if a little disappointed.

Have a sense of humor about life while you can, folks. Be silly. Tell Jokes. Relax and remember why you play. Doesn’t matter who your God is. He didn’t promise you a tomorrow.

It’s Not Torture When It’s Fun

It’s no secret that I stopped keeping up with the music scene about the time that hair bands starting losing their hair. I think I’ve bought 2 cd’s in the last decade. Could be longer.  Might also be that one of those was Chinese Democracy, so that might not count at all.  I listened to it once and decided it was best to remember my favorite bands the way they were. When they were still good. So I willfully stepped aside and stuck my nose in the next Harry Potter (or the one before it–who can really tell when you’ve read them all as much as I have). It’s not that I dislike music, I just came to the realization that trying to keep up with writing, reading, paying my bills and watching as many movies as my dollar would allow was as much as I can handle. I’ve taken a beating for this, most notably from a certain NYC bound friend who prides himself on his musical knowledge, book quote tattoos, snazzy vests and pre-show panic attacks. But he did like Zooey Deschanel for a while, no matter how much he denies it, so I’m feeling ok with myself.

Last night, after a riveting mimosa-buzzed performance of female pop icons by the one and only Moss (really, there will be videos in the future–there’s nothing like it), I had to admit–with no fraction of regret–that I never watched any of the videos from Britney, Christina, Mandy Moore, or Jessica Simpson. I apparently had no context to the compelling renderings of these classics that the Moss was pouring heart and soul (and a good dose of nasal pinching) into, so she threatened to make me watch them. And with all good threats by the Moss, it was immediately implemented lest she get busy watching the last season of Will and Grace and forget. She showed me Britney’s Oops, Toxic, and Baby One More Time (Which is obviously about being really cool in high school. I don’t know, you tell me.), and then followed those up with Christina and Genie in a Bottle, that one where she’s all skanky-ho in the boxing ring (whatever that disease of a video is called) and Fighter. I actually liked Fighter, for what that’s worth to you. I don’t even remember what the Mandy Moore song was, but I kept thinking of Saved and wasn’t really paying attention.  Somebody should have told her that she’s about as sexy as Cheerio’s in lime juice, though. Jessica Simpson used to sing, did you know? I saw a video! There was a plane, or something, and she was doing stuff–I don’t know what. She might have even been singing. All I can think of when I see her is one of her many infamous quotes: “I don’t know what it is, but I want it.” What a maroon.

It was after the fourth–or it could have been the fourteenth–apology by the Moss for needing to show me just one more that I realized I wasn’t bothered by it at all. In fact, I was enjoying it. Wait. I wasn’t enjoying it, per se, but I was enjoying how insanely bad they were. I like watching bad videos, movies, and television shows. I get to flex my comedic muscles, while instantly feeling better for myself in the process. I don’t need therapy, I just need more of the Kardashians.

Which leads me to my prevailing point: Torture me with the worst you can show me, I don’t mind. It’s not torture if it’s fun. It’s entertainment. I enjoy it so much, I’m going to make a spectacle of myself in order to make it even more entertaining. The Moss has offered up the first season of Sex and the CityI’m going to pick a day, set aside 12 straight hours and watch them all. I’ll set up a live blog, pipe comments into Facebook and Twitter, let everyone play along, and we’ll see what becomes of me. I’m not sure that my mind is prepared for 12 straight hours of that… can I really call it a show? Four weathered hags and their quest for sex, relationships and, I don’t know, luggage? I’ve never watched an episode, so I really don’t know what it’s about, but I will admit to having seen the first attempt at a movie. Like I said… I like to watch bad movies.

Anyway, if it goes well–whether anyone is paying attention or not–I’ll open it up to the public. You can pick something, I’ll watch it, blog about it, and probably lose my mind over it. I might even become religious to avoid remembering it. I don’t know. It could be fun for everyone. As soon as the Sex and the City marathon is in place, I’ll post about the specifics. I don’t mind doing this for my own entertainment, but it’ll be more fun if people are checking in on me. I’ll need it. That, and pizza.

For the moment, however, I have a song stuck in my head. More than that, a video that makes no damn sense at all. I think, based on Britney’s costume, that it’s sponsored by Trojan. At the very least they hopefully handed out condoms on the set, just in case. If there is a “script” it was written by a very lonely young man living in his mother’s basement, in between shots of Mountain Dew and down time from Halo. Mars? Really? Wait. Now where is she? AND WHY THEY HELL IS THAT GUY BEING HELD UP BY A CHAIN? Then he gives her the Heart of the Ocean, I guess. What an idiot. He makes Taylor Lautner look positively Ivy League. Anyway…

Everyone give your nose a good pinch and say it with me. Ooh baby baby!

Countdown to Finality

So, you have 26 days left until the Rapture.  Are you ready?  Made your Rapture Party Plans yet?  Have you found a home for your pet yet (that is to say, for those of you who will be leaving us)?  Have you made your Bucket List?  Get on it people!  There isn’t time to dilly, or dally, or hesitate!

Then again, utilizing a quote I heard during my recent trip to NYC (I can’t claim right to this one, but I will use the hell out of it): “Why can’t you quit?  Jesus did.”  So, maybe you shouldn’t do anything.  Just let it happen.  Heat up some queso, prop up your feet, refuse to shower and watch 26 days of television.

Hell, forward all your bills to the people at We Can Know, seeing as how they’re so up on this whole Rapture shibang.  I mean, can’t there be some type of legal spin on making plans around their May 21st date…you know, in the unlikely event that they’re wrong?

Dammit.  I just paid off my car.  Should have thought that one through a bit more.

Still, maybe this isn’t really a bad thing at all.

I feel secure that my publisher will still be around, since I know God isn’t terribly fond of Faerie worship or purple highlights, so at least Flutter will still arrive in August.  And since I’m not necessarily targeting Christians with my books (well, targeting, yes, but not in the publicity sense), then I can rest assured that my audience will still be around.  In fact, this may be a boon to the publishing industry, now that I think on it, because it will eliminate…er, I mean, remove all the people who are most traditionally likely to whine about literary content.  Vampire Porn for everyone!  Hopefully Stephanie Meyer is taken.  I can’t stomach anymore of her work.

I’m actually thinking that the bulk of people at Twitter and Facebook will still be around, so we’ll still have that.  To boot, all that Christian clutter will be gone, so no more scrolling through the rants and praise to Mr. Jesus.  Heck, little boys all over the world can roam free, safe and secure in the knowledge that their pants won’t be removed by some God-horny Man of the Cloth, so that’s good.  Then again, won’t all the Men of the Cloth who engaged in that activity still be here?  Hm.  Rule of the land!  It’s time to put these imbeciles on a remote island with a few other undesirables, and have an And Then There Were None reality show.  Given the dearth of candidates, and only 12 slots (should we remain true to the story), I’m thinking several continuous seasons of this will do fine.

Fortunately, we’ll still have this:

So that’s cool.

I’m actually feeling confident that the bulk of television shows, actors and actresses, producers, directors, musicians, writers, artists and executives will still be around, so I guess Hollywood just keeps rolling.  I mean, they didn’t stop for Pearl Harbor or 9/11, did they?  Can’t seem them seeing this any differently.  So, we’ll still have a major portion of our art intact.

This solves our energy crises, doesn’t it?  And food shortages?

Can we get back to community-based lifestyles, and weed out the box stores?  I can promise you all non-Christian based indie bookstores will still be around.  They didn’t break for Amazon or B&N, so I figure the Rapture won’t kill their inspiration either.  Should be plenty of stock and, as mentioned, better quality to choose from, so there you are.  Another win.

Looks like the recession is over.  Jobs for everyone!

May have to entertain that Trump for President thing, after all.  He’ll still be around.  I mean, it would appear that every politician is a Christian, or so they would have you believe.  Surely they weren’t lying about that.  I’ll vote for him.  Although George Clooney might be more interested now that there’s no real backlash to him running, right?  Hell, all of Hollywood might put their name in the hat if they can do so comfortably knowing that there’s no one left to call them out on their loose-running morality issues.

What else?

You know, this may very well be the greatest Litmus test in the whole of testing things that aren’t what they purport to be.  I sense a great deal of finger waggling, post Rapture, with some, “Ahhhhhh, I knew you weren’t a Christian!” in for good measure.  Playground rules apply.  Those shamed are cast into the Pit of the Unwanton Liars Who Used to Be Bullies But Are Now Just Stupid Dummy Butts.

Yeah, I’m liking this post-Rapture world.

I need to go stock up on cheese.  Feel free to do the same.  In the meantime, what did I forget?